Escolha a pedaleira no seletor: por padrão aparecem os efeitos da Ampero II; ao selecionar Valeton, a tabela mostra somente as categorias PRE, WAH, DST, AMP, NR, CAB, MOD, DLY e RVB. Clique nos cabeçalhos para ordenar, use a busca e clique em qualquer linha para ver os parâmetros.
| Módulo | Subcategoria | Modelo na pedaleira | Marca | Artista | Análogo real / referência | Imagem | Observação |
|---|---|---|---|---|---|---|---|
| DRV | Overdrive | Green Drive | Ibanez | Stevie Ray Vaughan; John Mayer | Ibanez TS-808 Tube Screamer | Tube Screamer vintage. | |
| DRV | Overdrive | Green 9 | Ibanez | Stevie Ray Vaughan; John Mayer | Ibanez TS-9 Tube Screamer | Tube Screamer mais moderno. | |
| DRV | Overdrive | Yellow Drive | Boss | Rory Gallagher; Vivian Campbell | Boss OD-1 OverDrive | Manual fala no primeiro overdrive famoso e sem tone. | |
| DRV | Overdrive | Swarm Drive | Providence | Carl Verheyen; Robben Ford; Matt Schofield; Ramon Goose | Providence SOV-2 Stampede OD | Overdrive natural. | |
| DRV | Overdrive | Super Drive | Boss | Eddie Van Halen; Steve Vai; Zakk Wylde; Kirk Hammett | Boss SD-1 Super OverDrive | Descrição cita circuito assimétrico clássico. | |
| DRV | Overdrive | Screamood | Ibanez / Keeley | Stevie Ray Vaughan; John Mayer | Tube Screamer modificado / Keeley-style mod | TS-style com modificações Fat/Air. | |
| DRV | Overdrive | Dr. Blues | Boss / Keeley | John Mayer; Brad Paisley; Prince | Boss BD-2 Blues Driver / Phat Mod | Manual cita blues overdrive e PHAT-mod. | |
| DRV | Overdrive | Force Drive | Fulltone | Keith Urban; Mike Campbell | Fulltone OCD | Drive amp-like. | |
| DRV | Overdrive | Tube Clipper | B.K. Butler | David Gilmour; Eric Johnson; Billy Gibbons; Joe Satriani | B.K. Butler Tube Driver | Overdrive com válvula 12AX7. | |
| DRV | Overdrive | Blues Butter | Marshall | John Mayer | Marshall Bluesbreaker | Low/mid gain clássico. | |
| DRV | Overdrive | Grand Driver | Marshall | Jeff Buckley; Dan Hawkins | Marshall Drive Master | Drive britânico com EQ de 3 bandas. | |
| DRV | Overdrive | Zen Garden | Hermida | Robben Ford; Larry Carlton; Carlos Santana | Hermida Zendrive | Overdrive sensível ao toque. | |
| DRV | Overdrive | Direct Touch | Barber Electronics | Joe Satriani; Nils Lofgren; Bruce Springsteen; David Grissom; Eric Johnson | Barber Direct Drive | Drive estilo amp valvulado. | |
| DRV | Overdrive | Faun Drive | Klon | Jeff Beck; John Mayer; Joe Perry; Nels Cline | Klon Centaur | Clean boost/overdrive transparente. | |
| DRV | Overdrive | Amore Eterno | Lovepedal | Andy Summers; Richard Fortus | Lovepedal Eternity | Screamer-inspired com controle Glass. | |
| DRV | Overdrive | Precise Attack | Horizon Devices | Misha Mansoor | Horizon Devices Precision Drive | Drive/boost moderno com gate. | |
| DRV | Overdrive | Magic T | Paul Cochrane | Brad Whitford; Lyle Workman; Alex Lifeson; Nashville session guitarists | Paul Cochrane Timmy V2 | Overdrive transparente. | |
| DRV | Overdrive | Prince of Drive | Analog.Man | Brad Whitford; John Mayer; Noel Gallagher; John Petrucci | Analog.Man Prince of Tone | Drive transparente com 3 modos. | |
| DRV | Overdrive | Noble Drive | Nobels | Tom Bukovac; Guthrie Trapp | Nobels ODR-1 Natural Overdrive | Overdrive de estúdio/session. | |
| DRV | Overdrive/Bass | Bass Grinder HQ | Tech 21 | Geddy Lee; Dug Pinnick; Billy Sheehan | Tech 21 SansAmp Bass Driver DI | Pré/drive de baixo. | |
| DRV | Fuzz | Big Pie | Electro-Harmonix | David Gilmour; Billy Corgan; Jack White; J Mascis | Electro-Harmonix Big Muff Pi | Fuzz/distortion clássico. | |
| DRV | Fuzz | Face Fuzz | Dallas-Arbiter | Jimi Hendrix; David Gilmour; Stevie Ray Vaughan; Eric Johnson | Dallas-Arbiter Fuzz Face | Fuzz clássico redondo. | |
| DRV | Fuzz | Bend Fuzz | Sola Sound | Jimmy Page; Jeff Beck; Mick Ronson; Pete Townshend | Sola Sound Tone Bender Mk II | Fuzz vintage britânico. | |
| DRV | Fuzz | Face Fuzz Ge | Dunlop | Jimi Hendrix; David Gilmour; Eric Johnson | Dunlop Fuzz Face Germanium | Fuzz Face com germânio. | |
| DRV | Distortion | Plustortion | MXR | Randy Rhoads; Jerry Garcia; Dave Murray | MXR M104 Distortion+ | Distortion clássico. | |
| DRV | Distortion | Smooth Dist | Boss | Kurt Cobain; Steve Vai; Joe Satriani | Boss DS-1 Distortion | Manual cita distortion famoso do fim dos anos 70. | |
| DRV | Distortion | Black Tail | ProCo | Jeff Beck; Kurt Cobain; Graham Coxon; Andy Summers | ProCo RAT2 / RAT LM308 | RAT clássico. | |
| DRV | Distortion | Governor | Marshall | Gary Moore | Marshall The Guv’nor | Distortion britânico. | |
| DRV | Distortion | Shredder | Marshall | Jonny Greenwood; Kevin Shields | Marshall ShredMaster | Alta saturação Marshall. | |
| DRV | Distortion | Crunchist | MI Audio | Bobb Bruno; Jean Pierre Duhart; Marco Sfogli; Dan Patlansky | MI Audio Crunch Box | Distortion estilo amp britânico. | |
| DRV | Distortion | Metaland | Boss | Prince; Simon Neil; Korn | Boss MT-2 Metal Zone | Manual fala no distortion metal mais popular do mundo. | |
| DRV | Distortion | Rebel | Suhr | Guthrie Govan | Suhr Riot Distortion | Distortion high gain responsivo. | |
| DRV | Distortion | Pleximaker | Wampler | Eddie Van Halen; George Lynch | Wampler Plexitortion | Hot-rodded British lead. | |
| DRV | Distortion | Panama Lead | EVH-style | Eddie Van Halen | Brown Sound / EVH-style | Não cita pedal específico; referência ao brown sound. | |
| DRV | Distortion | Fryman Dist | Friedman | Jerry Cantrell; Steve Stevens | Friedman BE-OD / Brown Eye style | Manual cita dirt box com Brown Eye tone. | |
| DRV | Bass | Solid Steel | Hotone / modelo próprio | Modelo próprio / sem artista específico | Modelo próprio / sem análogo claro | Manual descreve como drive flexível para baixo. | |
| DRV | Bass | Bass OD | Boss | Flea; Nate Mendel; Alex Webster; Adam Clayton; Fat Mike | Boss ODB-3 Bass OverDrive | Associação provável pelo tipo/descrição. | |
| DRV | Bass | Behemoth M | Darkglass Electronics | Adam “Nolly” Getgood; Jon Stockman | Darkglass Microtubes B7K | Pré/drive moderno de baixo. | |
| DRV | Bass | Basshammer | Aguilar | Thundercat; Adam Clayton; John Patitucci; Chris Chaney; Rhonda Smith | Aguilar Tone Hammer Bass Preamp | Pré/drive de baixo. | |
| DYN | Compressor | Comprosso | Ross | Trey Anastasio; Lowell George | Ross Compressor | Citado no manual. | |
| DYN | Compressor | Comparoma 4 | Keeley | Brad Paisley | Keeley C4 4-Knob Compressor | Citado no manual. | |
| DYN | Compressor | Blue Sustainer | Boss | David Gilmour | Boss CS-2 / CS-style Compressor Sustainer | Inferido: compressor/sustainer azul clássico de 3 knobs. | |
| DYN | Compressor | Squeezer | Hotone / modelo próprio | Modelo próprio / compressor de uso geral | Compressor completo / studio-style | Sem análogo específico citado. | |
| DYN | Boost | Affinity Boost | Xotic | Scott Henderson | Xotic AC Booster | Citado no manual. | |
| DYN | Boost | Beefy Boost | Xotic | Andy Timmons | Xotic BB Preamp | Citado no manual. | |
| DYN | Boost | Pristine Boost | Xotic | Scott Henderson | Xotic RC Booster | Citado no manual. | |
| DYN | Boost | Forest Boost | Fortin | Meshuggah / Fortin-style metal players | Fortin Grind | Citado no manual. | |
| DYN | Boost | Treble Ranger | Dallas Rangemaster | Eric Clapton; Brian May; Tony Iommi; Rory Gallagher; Ritchie Blackmore | Dallas Rangemaster Treble Booster | Citado no manual. | |
| DYN | Boost | Gated Boost | Hotone / modelo próprio | Modelo próprio / metal moderno | Boost moderno com noise gate integrado | Sem análogo específico citado. | |
| DYN | Boost | Micro Boost | MXR | Bob Mould | MXR M133 Micro Amp | Citado no manual. | |
| DYN | Boost | Creamy | Eric Clapton-style | Eric Clapton | Woman Tone / Cream-era tone simulator | Referência de timbre, não um pedal específico. | |
| DYN | Boost | FET Boost | Boss | The Edge; John Frusciante | Boss FA-1 FET Amplifier | Inferido: preamp FET belt-clip clássico. | |
| DYN | Boost | Enhancer | Xotic | Jimmy Page; Eddie Van Halen-style Echoplex boost | Xotic EP Booster | Citado no manual. | |
| DYN | Noise Gate | AI Gate | ISP Technologies | Misha Mansoor; Brent Hinds; Devin Townsend; Zacky Vengeance; Scott Ian | ISP Decimator | Citado no manual. | |
| DYN | Noise Gate | Fast Gate | Hotone / modelo próprio | Metal/djent moderno; sem artista específico | Fast noise gate moderno | Sem análogo específico citado. | |
| DYN | Noise Gate | Custom Gate | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Noise gate com Attack/Release | Sem análogo específico citado. | |
| DYN | Noise Gate | Smooth Gate | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Reverse expander noise gate | Sem análogo específico citado. | |
| DYN | Limiter | Limiter | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Limiter simples | Sem análogo específico citado. | |
| WAH | Wah | Clay Wah | VOX | Clyde McCoy; Jimi Hendrix | VOX Clyde McCoy Wah | Citado no manual. | |
| WAH | Wah | Voxy Wah | VOX | Jimi Hendrix; Eric Clapton | VOX V845 Wah | Citado no manual. | |
| WAH | Wah | Voxy Wah+ | VOX | Jimi Hendrix; Eric Clapton | VOX V846 Wah | Citado no manual. | |
| WAH | Wah | Color Wah | Colorsound | John Lennon; Pete Townshend | Colorsound Wah-Wah | Citado no manual. | |
| WAH | Wah | Funky Wah | Shaft-style | Charles Pitts / Isaac Hayes | Shaft funk wah sound | Referência de timbre, não um pedal específico. | |
| WAH | Wah | Magic Wah | Morley | Steve Vai | Morley Power Wah | Citado no manual. | |
| WAH | Wah | Soul Press | Hotone | Cory Wong; referência geral Hotone/Press | Hotone Soul Press | Citado no manual: modo Wah do Soul Press. | |
| WAH | Wah | Bass Press | Hotone | Hotone / baixo; sem artista específico | Hotone Bass Press | Citado no manual: modo Wah do Bass Press. | |
| WAH | Wah | Cry Wah | Dunlop | Jimi Hendrix; Eric Clapton; Slash | Dunlop Cry Baby GCB95 | Citado no manual como Cry Baby. | |
| WAH | Wah | Cry Wah+ | Dunlop | Jerry Cantrell; Steve Vai | Dunlop Cry Baby 535Q | Citado no manual. | |
| WAH | Wah | Petrus Wah | Dunlop | John Petrucci | Dunlop JP95 John Petrucci Cry Baby | Citado no manual. | |
| WAH | Wah | Sandman Wah | Dunlop | Kirk Hammett | Dunlop KH95 Kirk Hammett Cry Baby | Citado no manual. | |
| WAH | Wah | Chili Wah | Ibanez | John Frusciante | Ibanez WH-10 Wah | Citado no manual. | |
| MOD | Chorus | Aozora Chorus | Arion | Eric Clapton; Michael Landau | Arion SCH-1 Stereo Chorus | Citado no manual. | |
| MOD | Chorus | Grand Choruium | Boss / Roland | John Frusciante; Andy Summers; Alex Lifeson | Boss CE-1 Chorus Ensemble - Chorus mode | Inferido: chorus ensemble dos anos 1970. | |
| MOD | Chorus | Liquid C | Boss | John Petrucci; Peter Gabriel; Talking Heads; INXS | Boss DC-2 Dimension C | Inferido: chorus estéreo de 4 botões. | |
| MOD | Chorus | Bass Chorus | Boss | Duff McKagan; Peter Hook | Boss CE-2B / Bass Chorus style | Inferido: ensemble/chorus para baixo. | |
| MOD | Chorus | Liquid Dream | Voodoo Lab | Michael Landau | Voodoo Lab Analog Chorus | Citado no manual. | |
| MOD | Chorus | 3D Chorus | Hotone / modelo próprio | Andy Summers; Brian Eno; referência studio chorus | Multi-dimensional 3D chorus | Sem análogo específico citado. | |
| MOD | Flanger | Flanger | Tape flanging | Eddie Van Halen; David Gilmour; Andy Summers | Tape flanging clássico | Efeito clássico de fita, não um pedal específico. | |
| MOD | Flanger | Bass Flanger | Hotone / modelo próprio | Justin Chancellor; Duff McKagan | Bass flanger clássico | Sem análogo específico citado. | |
| MOD | Flanger | Neg Flanger | Hotone / modelo próprio | Eddie Van Halen; Andy Summers; referência flanger clássico | Negative feedback flanger | Sem análogo específico citado. | |
| MOD | Flanger | Trem Flanger | Hotone / modelo próprio | Eddie Van Halen; referência flanger + tremolo | Flanger + tremolo | Sem análogo específico citado. | |
| MOD | Vibrato | Pulser | Boss | Prince; Billy Corgan | Boss VB-2 Vibrato | Inferido: vibrato analógico vintage raro. | |
| MOD | Vibrato | Grand Vibrato | Boss / Roland | John Frusciante; Andy Summers | Boss CE-1 Chorus Ensemble - Vibrato mode | Inferido: modo vibrato de chorus ensemble anos 1970. | |
| MOD | Vibrato | Vibrato | Hotone / modelo próprio | Jimi Hendrix; Robin Trower; referência vibrato/univibe | Vibrato genérico | Sem análogo específico citado. | |
| MOD | Vibrato | Vibrato T | Hotone / modelo próprio | Jimi Hendrix; Robin Trower; referência vibrato sensível | Touch-sensitive vibrato | Sem análogo específico citado. | |
| MOD | Phaser | 90 Phaser | MXR | Eddie Van Halen; David Gilmour | MXR M101 Phase 90 | Citado no manual. | |
| MOD | Phaser | Green Phaser | Maxon / Ibanez | Eddie Van Halen-style phase tone | Maxon PT999 / Ibanez Phase Tone style | Inferido: phaser verde popular desde 1977. | |
| MOD | Phaser | Stone Phaser | Electro-Harmonix | Jonny Greenwood; David Gilmour; Carlos Alomar | Electro-Harmonix Small Stone | Citado no manual. | |
| MOD | Phaser | Notch Phaser | Hotone / modelo próprio | Eddie Van Halen; David Gilmour; referência phaser clássico | Phaser com 3 notches | Sem análogo específico citado. | |
| MOD | Phaser | Pan Phaser | Hotone / modelo próprio | Eddie Van Halen; David Gilmour; referência phaser/pan | Phaser + tremolo/pan | Sem análogo específico citado. | |
| MOD | Rotary/Vibe | Minivibe | Voodoo Lab | Jimi Hendrix; David Gilmour | Voodoo Lab Micro Vibe | Citado no manual. | |
| MOD | Rotary/Vibe | Revolver | Shin-ei | Jimi Hendrix; David Gilmour; Robin Trower | Shin-ei Uni-Vibe | Citado no manual. | |
| MOD | Tremolo | Helicopter | Demeter | Ry Cooder | Demeter TRM-1 Tremulator | Citado no manual. | |
| MOD | Tremolo | Custom Trem | Hotone / modelo próprio | Bo Diddley; Link Wray; referência tremolo clássico | Tremolo customizável | Sem análogo específico citado. | |
| MOD | Rotary | Rotary | Leslie-style | George Harrison; Eric Clapton; David Gilmour | Leslie rotary speaker simulator | Referência a caixa rotativa clássica. | |
| MOD | Expanding | Classic Stereolizer | Hotone / modelo próprio | Efeito utilitário estéreo; sem artista específico | Precedence-effect stereo expander | Sem análogo específico citado. | |
| MOD | Expanding | Modern Stereolizer | Hotone / modelo próprio | Efeito utilitário estéreo; sem artista específico | Modern stereo expander | Sem análogo específico citado. | |
| MOD | Expanding | Stereo Expander | Hotone / modelo próprio | Efeito utilitário estéreo; sem artista específico | Virtual soundstage expander | Sem análogo específico citado. | |
| MOD | Slow Attack | Sweller | Hotone / modelo próprio | Bill Nelson; Steve Hackett | Auto swell / violin-like tone | Sem análogo específico citado. | |
| AMP | Clean | Tweed Chap | Fender | Eric Clapton; Joe Walsh | Fender Tweed Champ 5F1 | Citado no manual. | |
| AMP | Clean | Tweed Lux | Fender | Neil Young; Don Felder | Fender Tweed Deluxe 5E3 Bright | Citado no manual. | |
| AMP | Clean | Tweed Prince | Fender | Eric Clapton; Neil Young | Fender Tweed Princeton 5F2-A | Citado no manual. | |
| AMP | Clean | Baseman Norm | Fender | Brian Setzer; Pete Townshend; The Beatles; Mike Campbell | Fender Bassman 5F6-A Normal | Citado no manual. | |
| AMP | Clean | Black Twin | Fender | Stevie Ray Vaughan; Jerry Garcia; Mike Bloomfield | Fender 65 Twin Reverb | Citado no manual. | |
| AMP | Clean | Black Deluxe | Fender | Stevie Ray Vaughan; John Mayer; Mike Campbell | Fender Blackface Deluxe Reverb Normal | Citado no manual. | |
| AMP | Clean | Black Deluxe+ | Fender | Stevie Ray Vaughan; John Mayer; Mike Campbell | Fender Blackface Deluxe Reverb Vibrato | Citado no manual. | |
| AMP | Clean | Black Prince | Fender | Jim Campilongo; Mike Campbell | Fender Blackface Princeton AA964 | Citado no manual. | |
| AMP | Clean | Black Super | Fender | Stevie Ray Vaughan; Derek Trucks | Fender Blackface Super Reverb AB763 | Citado no manual. | |
| AMP | Clean | Black Vibra | Fender | Stevie Ray Vaughan | Fender Blackface Vibroverb AA763 | Citado no manual. | |
| AMP | Clean | Brown King Clean | Fender | Pete Townshend; Tom Petty | Fender Brownface Vibro-King FAT off | Citado no manual. | |
| AMP | Clean | Brown Vibra | Fender | Stevie Ray Vaughan-style Fender brownface tones | Fender Brownface Vibrolux 6G11 | Citado no manual. | |
| AMP | Clean | Brown Concert | Fender | Rory Gallagher; Joe Satriani; Ariel Posen | Fender Brownface Concert 6G12 | Citado no manual. | |
| AMP | Clean | Brown Super | Fender | Tommy Tedesco | Fender Brownface Super-Amp 6G4 | Citado no manual. | |
| AMP | Clean | Silver Twin | Fender | Jerry Garcia; Stevie Ray Vaughan | Fender Silverface Twin Reverb AC568 | Citado no manual. | |
| AMP | Clean | Silver Master | Fender | The Beatles; Pete Townshend; Mike Campbell | Fender Silverface Bandmaster AB763 | Citado no manual. | |
| AMP | Clean | Superb Dual Clean | Supro | Jimmy Page; Jack White | Supro Dual-Tone 1624T CH1 | Citado no manual. | |
| AMP | Clean | Voxy 15 TB | VOX | The Beatles; Rory Gallagher | VOX AC15 Top Boost | Citado no manual. | |
| AMP | Clean | Voxy 30HW Norm | VOX | The Beatles; Brian May; The Edge; Tom Petty | VOX AC30HW Normal | Citado no manual. | |
| AMP | Clean | Hiway 103 Norm | Hiwatt | David Gilmour; Pete Townshend | Hiwatt DR103 Normal | Citado no manual. | |
| AMP | Clean | Watchman | Gibson | Modelo vintage Gibson; sem artista específico | Gibson Scout | Citado no manual. | |
| AMP | Clean | Jazz Clean | Roland | Andy Summers; Robert Smith; James Hetfield; Prince | Roland JC-120 Jazz Chorus | Inferido: JC clean 2x12 solid-state jazz amp. | |
| AMP | Clean | Emperor Clean | Matchless | Mark Knopfler | Matchless Chieftain 212 Clean | Citado no manual. | |
| AMP | Clean | Match 30 Clean | Matchless | The Edge; Mark Knopfler | Matchless DC-30 | Citado no manual. | |
| AMP | Clean | Tang A30 Clean | Orange | Jimmy Page; Noel Gallagher | Orange AD30 CH1 | Citado no manual. | |
| AMP | Clean | Superstar Clean | Mesa/Boogie | Andy Timmons | Mesa/Boogie Lone Star Clean | Citado no manual. | |
| AMP | Clean | Glacian Clean | Bogner | Jerry Cantrell; Steve Lukather | Bogner Shiva 20th Anniversary Clean | Citado no manual. | |
| AMP | Clean | Dr. 38 Clean | Dr. Z | Brad Paisley | Dr. Z Maz 38 Sr Clean | Citado no manual. | |
| AMP | Clean | Dr. 66 | Dr. Z | Brad Paisley | Dr. Z Route 66 | Citado no manual. | |
| AMP | Clean | Pendragon Clean | Grindrod | Bobby Cochran; referência Steve Grindrod/rock britânico | Grindrod Pendragon PG20C Normal bright off | Citado no manual. | |
| AMP | Clean | Pendragon Clean+ | Grindrod | Bobby Cochran; referência Steve Grindrod/rock britânico | Grindrod Pendragon PG20C Normal bright on | Citado no manual. | |
| AMP | Clean | Press Wrecker | Trainwreck | Brad Paisley; Mark Knopfler; Billy Gibbons; Trey Anastasio | Trainwreck Express | Citado no manual. | |
| AMP | Clean | Pool Wrecker | Trainwreck | Brad Paisley; Mark Knopfler; Billy Gibbons; Trey Anastasio | Trainwreck Liverpool | Citado no manual. | |
| AMP | Clean | Hot Kitty Clean | Bad Cat | Josh Homme; Jamie Cook; Marc Ford; Paul Sidoti | Bad Cat Hot Cat 30 Channel 1 | Citado no manual. | |
| AMP | Clean | Soloist 100 Clean | Soldano | Eddie Van Halen; Eric Clapton; Mark Knopfler; Warren Haynes | Soldano SLO-100 Normal clean | Citado no manual. | |
| AMP | Clean | Soloist 100 Clean HQ | Soldano | Eddie Van Halen; Eric Clapton; Mark Knopfler; Warren Haynes | Soldano SLO-100 Normal clean | Citado no manual; versão HQ. | |
| AMP | Clean | Dumbell ODS 1 | Dumble | Robben Ford; Larry Carlton; John Mayer; Carlos Santana | Dumble Overdrive Special OD off | Citado no manual. | |
| AMP | Clean | Petrus Clean HQ | Mesa/Boogie | John Petrucci | Mesa/Boogie JP-2C CH1 | Citado no manual; versão HQ. | |
| AMP | Drive | Baseman Bright | Fender | Brian Setzer; Pete Townshend; The Beatles; Mike Campbell | Fender Bassman 5F6-A Bright | Citado no manual. | |
| AMP | Drive | Brown King Drive | Fender | Pete Townshend; Tom Petty | Fender Brownface Vibro-King FAT on | Citado no manual. | |
| AMP | Drive | Voxy 30HW TB | VOX | The Beatles; Brian May; The Edge; Tom Petty | VOX AC30HW Top Boost | Citado no manual. | |
| AMP | Drive | Superb Dual Drive | Supro | Jimmy Page; Jack White | Supro Dual-Tone 1624T driven | Mesmo conjunto do Superb Dual Clean, em modo drive. | |
| AMP | Drive | Marshell Blues | Marshall | Eric Clapton | Marshall 1958 18W Mini Bluesbreaker | Citado no manual. | |
| AMP | Drive | Marshell 45 | Marshall | Eric Clapton; Angus Young; Jimi Hendrix | Marshall JTM45 Normal | Citado no manual. | |
| AMP | Drive | Marshell 45+ | Marshall | Eric Clapton; Angus Young; Jimi Hendrix | Marshall JTM45 High Treble | Citado no manual. | |
| AMP | Drive | Marshell 45 Jump | Marshall | Eric Clapton; Angus Young; Jimi Hendrix | Marshall JTM45 Jumped | Citado no manual. | |
| AMP | Drive | Marshell 50 | Marshall | Jimi Hendrix; Jimmy Page; Angus Young | Marshall JMP 50 Normal | Citado no manual. | |
| AMP | Drive | Marshell 50+ | Marshall | Jimi Hendrix; Jimmy Page; Angus Young | Marshall JMP 50 High Treble | Citado no manual. | |
| AMP | Drive | Marshell 50 Jump | Marshall | Jimi Hendrix; Jimmy Page; Angus Young | Marshall JMP 50 Jumped | Citado no manual. | |
| AMP | Drive | Marshell SLP | Marshall | Pete Townshend; Jimi Hendrix; Eddie Van Halen; Jimmy Page | Marshall Super Lead 1959 Normal | Citado no manual. | |
| AMP | Drive | Marshell SLP+ | Marshall | Pete Townshend; Jimi Hendrix; Eddie Van Halen; Jimmy Page | Marshall Super Lead 1959 Bright | Citado no manual. | |
| AMP | Drive | Marshell SLP Jump | Marshall | Pete Townshend; Jimi Hendrix; Eddie Van Halen; Jimmy Page | Marshall Super Lead 1959 Jumped | Citado no manual. | |
| AMP | Drive | Marshell 800 | Marshall | Slash; Kerry King; Zakk Wylde | Marshall JCM800 | Citado no manual. | |
| AMP | Drive | Pendragon Drive | Grindrod | Bobby Cochran; referência Steve Grindrod/rock britânico | Grindrod Pendragon PG20C Boost | Citado no manual. | |
| AMP | Drive | Messe IIC+ | Mesa/Boogie | Metallica; Dream Theater | Mesa/Boogie Mark IIC+ Lead | Citado no manual. | |
| AMP | Drive | Glacian Drive | Bogner | Jerry Cantrell; Steve Lukather | Bogner Shiva 20th Anniversary Drive | Citado no manual. | |
| AMP | Drive | Tang A30 Drive | Orange | Jimmy Page; Noel Gallagher | Orange AD30 CH2 | Citado no manual. | |
| AMP | Drive | Fryman B | Friedman | Jerry Cantrell; Steve Stevens | Friedman BE / BE-100 BE channel | Inferido: manual cita boutique UK-style BE channel. | |
| AMP | Drive | Boger XT Blue V | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Ecstasy Blue channel vintage | Citado no manual. | |
| AMP | Drive | Boger XT Blue M | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Ecstasy Blue channel modern | Citado no manual. | |
| AMP | Drive | Soloist 100 Crunch | Soldano | Eddie Van Halen; Eric Clapton; Mark Knopfler; Warren Haynes | Soldano SLO-100 Normal dirty | Citado no manual. | |
| AMP | Drive | Soloist 100 Crunch HQ | Soldano | Eddie Van Halen; Eric Clapton; Mark Knopfler; Warren Haynes | Soldano SLO-100 Normal dirty | Citado no manual; versão HQ. | |
| AMP | Drive | Emperor Drive | Matchless | Mark Knopfler | Matchless Chieftain 212 driven | Citado no manual. | |
| AMP | Drive | Dr. 38 Drive | Dr. Z | Brad Paisley | Dr. Z Maz 38 Sr Drive | Citado no manual. | |
| AMP | Drive | Superstar Drive | Mesa/Boogie | Andy Timmons | Mesa/Boogie Lone Star Drive | Citado no manual. | |
| AMP | Drive | Hot Kitty Drive | Bad Cat | Josh Homme; Jamie Cook; Marc Ford; Paul Sidoti | Bad Cat Hot Cat 30 Channel 2 | Citado no manual. | |
| AMP | Drive | Dumbell ODS 2 | Dumble | Robben Ford; Larry Carlton; John Mayer; Carlos Santana | Dumble Overdrive Special OD on | Citado no manual. | |
| AMP | Drive | Petrus Crunch HQ | Mesa/Boogie | John Petrucci | Mesa/Boogie JP-2C CH2 | Citado no manual; versão HQ. | |
| AMP | Hi Gain | Marshell 900 | Marshall | Billy Corgan; Dave Navarro | Marshall JCM900 4100 CH B | Citado no manual. | |
| AMP | Hi Gain | Tang R100 | Orange | Jim Root; Brent Hinds; Geddy Lee | Orange Rockerverb 100 | Citado no manual. | |
| AMP | Hi Gain | Messe IV Lead | Mesa/Boogie | John Petrucci; Metallica | Mesa/Boogie Mark IV Lead | Citado no manual. | |
| AMP | Hi Gain | Soloist 100 Lead | Soldano | Eddie Van Halen; George Lynch; Mick Mars | Soldano SLO-100 Overdrive | Citado no manual. | |
| AMP | Hi Gain | Soloist 100 Lead HQ | Soldano | Eddie Van Halen; George Lynch; Mick Mars | Soldano SLO-100 Overdrive | Citado no manual; versão HQ. | |
| AMP | Hi Gain | Eddie 51 | Peavey | Eddie Van Halen | Peavey 5150 Lead | Citado no manual. | |
| AMP | Hi Gain | Fryman HB | Friedman | Jerry Cantrell; Steve Stevens | Friedman HBE / BE-100 HBE channel | Inferido: manual cita boutique UK-style HBE channel. | |
| AMP | Hi Gain | Engle Saga 1 | ENGL | Ritchie Blackmore; Steve Morse | ENGL Savage 120 E610 CH4 contour off | Citado no manual. | |
| AMP | Hi Gain | Engle Saga 2 | ENGL | Ritchie Blackmore; Steve Morse | ENGL Savage 120 E610 CH4 contour on | Citado no manual. | |
| AMP | Hi Gain | Powerengle Lead | ENGL | Rammstein; modern ENGL metal players | ENGL Powerball II E645/2 CH4 | Citado no manual. | |
| AMP | Hi Gain | Dizzle VH B | Diezel | Adam Jones; James Hetfield; Matt Bellamy | Diezel VH4 CH3 blue panel | Citado no manual. | |
| AMP | Hi Gain | Dizzle VH S | Diezel | Adam Jones; James Hetfield; Matt Bellamy | Diezel VH4 CH3 silver panel | Citado no manual. | |
| AMP | Hi Gain | Rector Dual V | Mesa/Boogie | Metallica; Foo Fighters; Korn; Linkin Park | Mesa/Boogie Dual Rectifier CH3 Vintage | Citado no manual. | |
| AMP | Hi Gain | Rector Dual M | Mesa/Boogie | Metallica; Foo Fighters; Korn; Linkin Park | Mesa/Boogie Dual Rectifier CH3 Modern | Citado no manual. | |
| AMP | Hi Gain | Dizzle VH+ B | Diezel | Adam Jones; James Hetfield; Matt Bellamy | Diezel VH4 CH4 blue panel | Citado no manual. | |
| AMP | Hi Gain | Dizzle VH+ S | Diezel | Adam Jones; James Hetfield; Matt Bellamy | Diezel VH4 CH4 silver panel | Citado no manual. | |
| AMP | Hi Gain | Boger XT Red V | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Ecstasy Red channel vintage | Citado no manual. | |
| AMP | Hi Gain | Boger XT Red M | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Ecstasy Red channel modern | Citado no manual. | |
| AMP | Hi Gain | Petrus Lead HQ | Mesa/Boogie | John Petrucci | Mesa/Boogie JP-2C CH3 | Citado no manual; versão HQ. | |
| AMP | Bass | Ampage Classic | Ampeg | Geddy Lee; Billy Sheehan; Flea | Ampeg SVT | Citado no manual. | |
| AMP | Bass | Ampage Flip | Ampeg | James Jamerson; Donald “Duck” Dunn; John Paul Jones | Ampeg B-15 Flip Top | Citado no manual. | |
| AMP | Bass | Voxy Bass | VOX | The Beatles | VOX AC-100 bass amp | Citado no manual. | |
| AMP | Bass | Tang Bass | Orange | Tim Commerford; Geddy Lee | Orange AD200B bass amp | Citado no manual. | |
| AMP | Bass | Messe Bass 400 | Mesa/Boogie | Flea; Mike Inez | Mesa/Boogie Bass 400 | Citado no manual. | |
| AMP | Power Amp | Power Amp | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Tube power amp simulator | Simulador de power amp valvulado; sem análogo único. | |
| PRE AMP | Clean | Tweed Chap | Fender | Eric Clapton; Joe Walsh | Fender Tweed Champ 5F1 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Tweed Lux | Fender | Neil Young; Don Felder | Fender Tweed Deluxe 5E3 Bright | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Tweed Prince | Fender | Eric Clapton; Neil Young | Fender Tweed Princeton 5F2-A | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Baseman Norm | Fender | Brian Setzer; Pete Townshend; The Beatles; Mike Campbell | Fender Bassman 5F6-A Normal | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Black Twin | Fender | Stevie Ray Vaughan; Jerry Garcia; Mike Bloomfield | Fender 65 Twin Reverb | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Black Deluxe | Fender | Stevie Ray Vaughan; John Mayer; Mike Campbell | Fender Blackface Deluxe Reverb Normal | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Black Deluxe+ | Fender | Stevie Ray Vaughan; John Mayer; Mike Campbell | Fender Blackface Deluxe Reverb Vibrato | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Black Prince | Fender | Jim Campilongo; Mike Campbell | Fender Blackface Princeton AA964 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Black Super | Fender | Stevie Ray Vaughan; Derek Trucks | Fender Blackface Super Reverb AB763 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Black Vibra | Fender | Stevie Ray Vaughan | Fender Blackface Vibroverb AA763 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Brown King Clean | Fender | Pete Townshend; Tom Petty | Fender Brownface Vibro-King FAT off | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Brown Vibra | Fender | Stevie Ray Vaughan-style Fender brownface tones | Fender Brownface Vibrolux 6G11 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Brown Concert | Fender | Rory Gallagher; Joe Satriani; Ariel Posen | Fender Brownface Concert 6G12 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Brown Super | Fender | Tommy Tedesco | Fender Brownface Super-Amp 6G4 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Silver Twin | Fender | Jerry Garcia; Stevie Ray Vaughan | Fender Silverface Twin Reverb AC568 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Silver Master | Fender | The Beatles; Pete Townshend; Mike Campbell | Fender Silverface Bandmaster AB763 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Superb Dual Clean | Supro | Jimmy Page; Jack White | Supro Dual-Tone 1624T CH1 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Voxy 15 TB | VOX | The Beatles; Rory Gallagher | VOX AC15 Top Boost | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Voxy 30HW Norm | VOX | The Beatles; Brian May; The Edge; Tom Petty | VOX AC30HW Normal | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Hiway 103 Norm | Hiwatt | David Gilmour; Pete Townshend | Hiwatt DR103 Normal | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Watchman | Gibson | Modelo vintage Gibson; sem artista específico | Gibson Scout | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Jazz Clean | Roland | Andy Summers; Robert Smith; James Hetfield; Prince | Roland JC-120 Jazz Chorus | Versão PRE AMP. Inferido: JC clean 2x12 solid-state jazz amp. | |
| PRE AMP | Clean | Emperor Clean | Matchless | Mark Knopfler | Matchless Chieftain 212 Clean | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Match 30 Clean | Matchless | The Edge; Mark Knopfler | Matchless DC-30 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Tang A30 Clean | Orange | Jimmy Page; Noel Gallagher | Orange AD30 CH1 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Superstar Clean | Mesa/Boogie | Andy Timmons | Mesa/Boogie Lone Star Clean | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Glacian Clean | Bogner | Jerry Cantrell; Steve Lukather | Bogner Shiva 20th Anniversary Clean | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Dr. 38 Clean | Dr. Z | Brad Paisley | Dr. Z Maz 38 Sr Clean | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Dr. 66 | Dr. Z | Brad Paisley | Dr. Z Route 66 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Pendragon Clean | Grindrod | Bobby Cochran; referência Steve Grindrod/rock britânico | Grindrod Pendragon PG20C Normal bright off | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Pendragon Clean+ | Grindrod | Bobby Cochran; referência Steve Grindrod/rock britânico | Grindrod Pendragon PG20C Normal bright on | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Press Wrecker | Trainwreck | Brad Paisley; Mark Knopfler; Billy Gibbons; Trey Anastasio | Trainwreck Express | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Pool Wrecker | Trainwreck | Brad Paisley; Mark Knopfler; Billy Gibbons; Trey Anastasio | Trainwreck Liverpool | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Hot Kitty Clean | Bad Cat | Josh Homme; Jamie Cook; Marc Ford; Paul Sidoti | Bad Cat Hot Cat 30 Channel 1 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Soloist 100 Clean | Soldano | Eddie Van Halen; Eric Clapton; Mark Knopfler; Warren Haynes | Soldano SLO-100 Normal clean | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Soloist 100 Clean HQ | Soldano | Eddie Van Halen; Eric Clapton; Mark Knopfler; Warren Haynes | Soldano SLO-100 Normal clean | Versão PRE AMP. Citado no manual; versão HQ. | |
| PRE AMP | Clean | Dumbell ODS 1 | Dumble | Robben Ford; Larry Carlton; John Mayer; Carlos Santana | Dumble Overdrive Special OD off | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Clean | Petrus Clean HQ | Mesa/Boogie | John Petrucci | Mesa/Boogie JP-2C CH1 | Versão PRE AMP. Citado no manual; versão HQ. | |
| PRE AMP | Drive | Baseman Bright | Fender | Brian Setzer; Pete Townshend; The Beatles; Mike Campbell | Fender Bassman 5F6-A Bright | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Brown King Drive | Fender | Pete Townshend; Tom Petty | Fender Brownface Vibro-King FAT on | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Voxy 30HW TB | VOX | The Beatles; Brian May; The Edge; Tom Petty | VOX AC30HW Top Boost | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Superb Dual Drive | Supro | Jimmy Page; Jack White | Supro Dual-Tone 1624T driven | Versão PRE AMP. Mesmo conjunto do Superb Dual Clean, em modo drive. | |
| PRE AMP | Drive | Marshell Blues | Marshall | Eric Clapton | Marshall 1958 18W Mini Bluesbreaker | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell 45 | Marshall | Eric Clapton; Angus Young; Jimi Hendrix | Marshall JTM45 Normal | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell 45+ | Marshall | Eric Clapton; Angus Young; Jimi Hendrix | Marshall JTM45 High Treble | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell 45 Jump | Marshall | Eric Clapton; Angus Young; Jimi Hendrix | Marshall JTM45 Jumped | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell 50 | Marshall | Jimi Hendrix; Jimmy Page; Angus Young | Marshall JMP 50 Normal | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell 50+ | Marshall | Jimi Hendrix; Jimmy Page; Angus Young | Marshall JMP 50 High Treble | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell 50 Jump | Marshall | Jimi Hendrix; Jimmy Page; Angus Young | Marshall JMP 50 Jumped | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell SLP | Marshall | Pete Townshend; Jimi Hendrix; Eddie Van Halen; Jimmy Page | Marshall Super Lead 1959 Normal | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell SLP+ | Marshall | Pete Townshend; Jimi Hendrix; Eddie Van Halen; Jimmy Page | Marshall Super Lead 1959 Bright | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell SLP Jump | Marshall | Pete Townshend; Jimi Hendrix; Eddie Van Halen; Jimmy Page | Marshall Super Lead 1959 Jumped | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Marshell 800 | Marshall | Slash; Kerry King; Zakk Wylde | Marshall JCM800 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Pendragon Drive | Grindrod | Bobby Cochran; referência Steve Grindrod/rock britânico | Grindrod Pendragon PG20C Boost | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Messe IIC+ | Mesa/Boogie | Metallica; Dream Theater | Mesa/Boogie Mark IIC+ Lead | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Glacian Drive | Bogner | Jerry Cantrell; Steve Lukather | Bogner Shiva 20th Anniversary Drive | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Tang A30 Drive | Orange | Jimmy Page; Noel Gallagher | Orange AD30 CH2 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Fryman B | Friedman | Jerry Cantrell; Steve Stevens | Friedman BE / BE-100 BE channel | Versão PRE AMP. Inferido: manual cita boutique UK-style BE channel. | |
| PRE AMP | Drive | Boger XT Blue V | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Ecstasy Blue channel vintage | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Boger XT Blue M | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Ecstasy Blue channel modern | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Soloist 100 Crunch | Soldano | Eddie Van Halen; Eric Clapton; Mark Knopfler; Warren Haynes | Soldano SLO-100 Normal dirty | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Soloist 100 Crunch HQ | Soldano | Eddie Van Halen; Eric Clapton; Mark Knopfler; Warren Haynes | Soldano SLO-100 Normal dirty | Versão PRE AMP. Citado no manual; versão HQ. | |
| PRE AMP | Drive | Emperor Drive | Matchless | Mark Knopfler | Matchless Chieftain 212 driven | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Dr. 38 Drive | Dr. Z | Brad Paisley | Dr. Z Maz 38 Sr Drive | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Superstar Drive | Mesa/Boogie | Andy Timmons | Mesa/Boogie Lone Star Drive | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Hot Kitty Drive | Bad Cat | Josh Homme; Jamie Cook; Marc Ford; Paul Sidoti | Bad Cat Hot Cat 30 Channel 2 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Dumbell ODS 2 | Dumble | Robben Ford; Larry Carlton; John Mayer; Carlos Santana | Dumble Overdrive Special OD on | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Drive | Petrus Crunch HQ | Mesa/Boogie | John Petrucci | Mesa/Boogie JP-2C CH2 | Versão PRE AMP. Citado no manual; versão HQ. | |
| PRE AMP | Hi Gain | Marshell 900 | Marshall | Billy Corgan; Dave Navarro | Marshall JCM900 4100 CH B | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Tang R100 | Orange | Jim Root; Brent Hinds; Geddy Lee | Orange Rockerverb 100 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Messe IV Lead | Mesa/Boogie | John Petrucci; Metallica | Mesa/Boogie Mark IV Lead | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Soloist 100 Lead | Soldano | Eddie Van Halen; George Lynch; Mick Mars | Soldano SLO-100 Overdrive | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Soloist 100 Lead HQ | Soldano | Eddie Van Halen; George Lynch; Mick Mars | Soldano SLO-100 Overdrive | Versão PRE AMP. Citado no manual; versão HQ. | |
| PRE AMP | Hi Gain | Eddie 51 | Peavey | Eddie Van Halen | Peavey 5150 Lead | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Fryman HB | Friedman | Jerry Cantrell; Steve Stevens | Friedman HBE / BE-100 HBE channel | Versão PRE AMP. Inferido: manual cita boutique UK-style HBE channel. | |
| PRE AMP | Hi Gain | Engle Saga 1 | ENGL | Ritchie Blackmore; Steve Morse | ENGL Savage 120 E610 CH4 contour off | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Engle Saga 2 | ENGL | Ritchie Blackmore; Steve Morse | ENGL Savage 120 E610 CH4 contour on | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Powerengle Lead | ENGL | Rammstein; modern ENGL metal players | ENGL Powerball II E645/2 CH4 | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Dizzle VH B | Diezel | Adam Jones; James Hetfield; Matt Bellamy | Diezel VH4 CH3 blue panel | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Dizzle VH S | Diezel | Adam Jones; James Hetfield; Matt Bellamy | Diezel VH4 CH3 silver panel | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Rector Dual V | Mesa/Boogie | Metallica; Foo Fighters; Korn; Linkin Park | Mesa/Boogie Dual Rectifier CH3 Vintage | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Rector Dual M | Mesa/Boogie | Metallica; Foo Fighters; Korn; Linkin Park | Mesa/Boogie Dual Rectifier CH3 Modern | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Dizzle VH+ B | Diezel | Adam Jones; James Hetfield; Matt Bellamy | Diezel VH4 CH4 blue panel | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Dizzle VH+ S | Diezel | Adam Jones; James Hetfield; Matt Bellamy | Diezel VH4 CH4 silver panel | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Boger XT Red V | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Ecstasy Red channel vintage | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Boger XT Red M | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Ecstasy Red channel modern | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Hi Gain | Petrus Lead HQ | Mesa/Boogie | John Petrucci | Mesa/Boogie JP-2C CH3 | Versão PRE AMP. Citado no manual; versão HQ. | |
| PRE AMP | Bass | Ampage Classic | Ampeg | Geddy Lee; Billy Sheehan; Flea | Ampeg SVT | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Bass | Ampage Flip | Ampeg | James Jamerson; Donald “Duck” Dunn; John Paul Jones | Ampeg B-15 Flip Top | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Bass | Voxy Bass | VOX | The Beatles | VOX AC-100 bass amp | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Bass | Tang Bass | Orange | Tim Commerford; Geddy Lee | Orange AD200B bass amp | Versão PRE AMP. Citado no manual. | |
| PRE AMP | Bass | Messe Bass 400 | Mesa/Boogie | Flea; Mike Inez | Mesa/Boogie Bass 400 | Versão PRE AMP. Citado no manual. | |
| CAB | Guitar Cab S | Voxy 1x10 A | VOX | Brian May; The Beatles; The Edge | VOX 1x10 combo cabinet | Baseado em gabinete VOX 1x10. | |
| CAB | Guitar Cab S | Voxy 1x10 B | VOX | Brian May; The Beatles; The Edge | vintage VOX 1x10 combo cabinet | Baseado em gabinete VOX 1x10 vintage. | |
| CAB | Guitar Cab S | Voxy GRN 1x10 | VOX / Celestion | Brian May; The Beatles; The Edge | VOX 1x10 cabinet with Celestion Greenback | VOX 1x10 com alto-falante Celestion Greenback. | |
| CAB | Guitar Cab S | Voxy Custom 1x10 | VOX | Brian May; The Beatles; The Edge | VOX AC4 custom 1x10 combo cabinet | Baseado em gabinete custom VOX AC4 1x10. | |
| CAB | Guitar Cab S | TWD 1x10 | Fender | Neil Young; Keith Richards; Joe Bonamassa | vintage Fender Tweed 1x10 combo cabinet | Gabinete Fender Tweed 1x10 vintage. | |
| CAB | Guitar Cab S | TWD VN 1x10 | Fender / Celestion | Neil Young; Keith Richards; Joe Bonamassa | custom Fender Tweed 1x10 with Celestion G10 Vintage | Fender Tweed 1x10 custom com Celestion G10 Vintage. | |
| CAB | Guitar Cab S | Golden 1x10 | Gibson | Referência de gabinete vintage; sem artista específico | vintage Gibson 1x10 combo cabinet | Gabinete Gibson vintage 1x10. | |
| CAB | Guitar Cab S | UK Custom 1x12 | Marshall | Jimi Hendrix; Jimmy Page; Angus Young; Slash | custom Marshall 1x12 cabinet | Gabinete Marshall custom 1x12. | |
| CAB | Guitar Cab S | TWD 1x12 | Fender | Neil Young; Keith Richards; Joe Bonamassa | vintage Fender Tweed 1x12 combo cabinet | Gabinete Fender Tweed 1x12 vintage. | |
| CAB | Guitar Cab S | TWD Dlx 1x12 | Fender / Jensen | Neil Young; Keith Richards; Joe Bonamassa | Fender Tweed Deluxe 1x12 with Jensen P12R | Fender Tweed Deluxe 1x12 com Jensen P12R. | |
| CAB | Guitar Cab S | Black 1x12 | Fender / Celestion | Stevie Ray Vaughan; John Mayer; Robben Ford | Fender 1x12 combo cabinet with Celestion Vintage 30 | Fender 1x12 com Celestion Vintage 30. | |
| CAB | Guitar Cab S | Black Dlx 1x12 A | Fender | Stevie Ray Vaughan; John Mayer; Robben Ford | vintage Fender Deluxe Reverb 1x12 combo cabinet | Fender Deluxe Reverb 1x12 vintage. | |
| CAB | Guitar Cab S | Black Dlx 1x12 B | Fender / Jensen | Stevie Ray Vaughan; John Mayer; Robben Ford | Fender Deluxe Reverb 1x12 with Jensen C12R | Fender Deluxe Reverb 1x12 com Jensen C12R. | |
| CAB | Guitar Cab S | Black Dlx 1x12 C | Fender | Stevie Ray Vaughan; John Mayer; Robben Ford | Fender Deluxe Reverb 1x12 custom speaker | Fender Deluxe Reverb 1x12 com speaker custom. | |
| CAB | Guitar Cab S | Golden 1x12 | Gibson | Referência de gabinete vintage; sem artista específico | vintage Gibson 1x12 combo cabinet | Gabinete Gibson vintage 1x12. | |
| CAB | Guitar Cab S | Boger 2x12 A | Bogner / Celestion | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner 2x12 cabinet with Celestion Greenback | Bogner 2x12 com Celestion Greenback. | |
| CAB | Guitar Cab S | Boger 2x12 B | Bogner / Celestion | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner 2x12 cabinet with Celestion Vintage 30 | Bogner 2x12 com Celestion Vintage 30. | |
| CAB | Guitar Cab S | Glacian 2x12 A | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Shiva 2x12 cabinet | Bogner Shiva 2x12. | |
| CAB | Guitar Cab S | Glacian 2x12 B | Bogner / Celestion | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner Shiva 2x12 with Celestion Alnico Gold | Bogner Shiva 2x12 com Celestion Alnico Gold. | |
| CAB | Guitar Cab S | Tang 2x12 A | Orange | Jimmy Page; Jim Root; Geddy Lee | custom Orange PPC212 2x12 cabinet | Orange PPC212 2x12 custom. | |
| CAB | Guitar Cab S | Tang 2x12 B | Orange | Jimmy Page; Jim Root; Geddy Lee | Orange PPC212 2x12 cabinet | Orange PPC212 2x12. | |
| CAB | Guitar Cab S | Messe 2x12 | Mesa/Boogie | John Petrucci; Metallica; Mark Tremonti | custom Mesa/Boogie 2x12 cabinet | Mesa/Boogie 2x12 custom. | |
| CAB | Guitar Cab S | Rector 2x12 A | Mesa/Boogie / Celestion | John Petrucci; Metallica; Mark Tremonti | Mesa/Boogie Rectifier 2x12 with Celestion Vintage 30 | Rectifier 2x12 com Celestion Vintage 30. | |
| CAB | Guitar Cab S | Rector 2x12 B | Mesa/Boogie / Celestion | John Petrucci; Metallica; Mark Tremonti | Mesa/Boogie Rectifier 2x12 with Celestion G12H-30 | Rectifier 2x12 com Celestion G12H-30. | |
| CAB | Guitar Cab S | Rector 2x12 C | Mesa/Boogie / Celestion | John Petrucci; Metallica; Mark Tremonti | modified Mesa/Boogie Rectifier 2x12 with Celestion G12M | Rectifier 2x12 modificado com Celestion G12M. | |
| CAB | Guitar Cab S | Voxy 2x12 A | VOX / Celestion | Brian May; The Beatles; The Edge | VOX AC30 2x12 with Celestion Alnico Blue | VOX AC30 2x12 com Celestion Alnico Blue. | |
| CAB | Guitar Cab S | Voxy 2x12 B | VOX / Celestion | Brian May; The Beatles; The Edge | VOX AC30 2x12 with Celestion G12H-30 | VOX AC30 2x12 com Celestion G12H-30. | |
| CAB | Guitar Cab S | Voxy Cream 2x12 | VOX / Celestion | Brian May; The Beatles; The Edge | VOX AC30 2x12 with Celestion Alnico Cream | VOX AC30 2x12 com Celestion Alnico Cream. | |
| CAB | Guitar Cab S | Voxy Green 2x12 | VOX / Celestion | Brian May; The Beatles; The Edge | VOX AC30 2x12 with Celestion Greenback | VOX AC30 2x12 com Celestion Greenback. | |
| CAB | Guitar Cab S | Voxy Gold 2x12 | VOX / Celestion | Brian May; The Beatles; The Edge | VOX AC30 2x12 with Celestion Alnico Gold | VOX AC30 2x12 com Celestion Alnico Gold. | |
| CAB | Guitar Cab L | Boger 4x10 A | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner 4x10 cabinet | Bogner 4x10. | |
| CAB | Guitar Cab L | Boger 4x10 B | Bogner | Jerry Cantrell; Steve Lukather; Mark Tremonti | modified Bogner 4x10 cabinet | Bogner 4x10 modificado. | |
| CAB | Guitar Cab L | Super 4x10 A | Fender / Jensen | Stevie Ray Vaughan; Mike Bloomfield; John Mayer | Fender Super Reverb 4x10 with Jensen speakers | Fender Super Reverb 4x10 com Jensen. | |
| CAB | Guitar Cab L | Super 4x10 B | Fender | Stevie Ray Vaughan; Mike Bloomfield; John Mayer | vintage Fender Super Reverb 4x10 with Fender speakers | Fender Super Reverb 4x10 vintage. | |
| CAB | Guitar Cab L | Boger 4x12 A | Bogner / Celestion | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner 4x12 with Celestion G12T-75 | Bogner 4x12 com Celestion G12T-75. | |
| CAB | Guitar Cab L | Boger 4x12 B | Bogner / Celestion | Jerry Cantrell; Steve Lukather; Mark Tremonti | Bogner 4x12 with Celestion Vintage 30 | Bogner 4x12 com Celestion Vintage 30. | |
| CAB | Guitar Cab L | Dizzle 4x12 A | Diezel / Celestion | Adam Jones; James Hetfield | Diezel 4x12 with Celestion G12K-100 | Diezel 4x12 com Celestion G12K-100. | |
| CAB | Guitar Cab L | Dizzle 4x12 B | Diezel / Celestion | Adam Jones; James Hetfield | Diezel 4x12 with Celestion Vintage 30 | Diezel 4x12 com Celestion Vintage 30. | |
| CAB | Guitar Cab L | Eddie 4x12 A | EVH | Eddie Van Halen | EVH 5150III 4x12 cabinet | EVH 5150III 4x12. | |
| CAB | Guitar Cab L | Eddie 4x12 B | EVH | Eddie Van Halen | modified EVH 5150III 4x12 cabinet | EVH 5150III 4x12 modificado. | |
| CAB | Guitar Cab L | Engle 4x12 A | ENGL / Celestion | Ritchie Blackmore; Steve Morse; Marty Friedman | ENGL 4x12 with Celestion Vintage 30 | ENGL 4x12 com Celestion Vintage 30. | |
| CAB | Guitar Cab L | Engle 4x12 B | ENGL / Celestion | Ritchie Blackmore; Steve Morse; Marty Friedman | ENGL 4x12 with Celestion Greenback | ENGL 4x12 com Celestion Greenback. | |
| CAB | Guitar Cab L | Fryman 4x12 A | Friedman / Celestion | Jerry Cantrell; Steve Stevens | boutique UK-style 4x12 with Celestion Greenback | 4x12 boutique estilo UK com Celestion Greenback. | |
| CAB | Guitar Cab L | Fryman 4x12 B | Friedman / Celestion | Jerry Cantrell; Steve Stevens | boutique UK-style 4x12 with Celestion Vintage 30 | 4x12 boutique estilo UK com Celestion Vintage 30. | |
| CAB | Guitar Cab L | UK Cream 4x12 | Marshall / Celestion | Jimi Hendrix; Jimmy Page; Angus Young; Slash | Marshall 4x12 with Celestion G12H-30 | Marshall 4x12 com Celestion G12H-30. | |
| CAB | Guitar Cab L | UK Check 4x12 | Marshall | Jimi Hendrix; Jimmy Page; Angus Young; Slash | vintage Marshall Checkboard 4x12 cabinet | Marshall Checkboard 4x12 vintage. | |
| CAB | Guitar Cab L | UK Green 4x12 | Marshall / Celestion | Jimi Hendrix; Jimmy Page; Angus Young; Slash | vintage Marshall 4x12 with Celestion Greenback | Marshall 4x12 vintage com Celestion Greenback. | |
| CAB | Guitar Cab L | UK Custom 4x12 | Marshall / Electro-Voice | Jimi Hendrix; Jimmy Page; Angus Young; Slash | custom vintage Marshall 4x12 with Electro-Voice EVM12L | Marshall 4x12 vintage custom com EVM12L. | |
| CAB | Guitar Cab L | UK Vintage 4x12 | Marshall | Jimi Hendrix; Jimmy Page; Angus Young; Slash | vintage Marshall 4x12 with Marshall speakers | Marshall 4x12 vintage com alto-falantes Marshall. | |
| CAB | Guitar Cab L | UK Black 4x12 | Marshall / Celestion | Jimi Hendrix; Jimmy Page; Angus Young; Slash | vintage Marshall 4x12 with Celestion Blackback | Marshall 4x12 vintage com Celestion Blackback. | |
| CAB | Guitar Cab L | UK 82 4x12 | Marshall | Jimi Hendrix; Jimmy Page; Angus Young; Slash | Marshall 1982B 4x12 cabinet | Marshall 1982B 4x12. | |
| CAB | Guitar Cab L | Tang 4x12 A | Orange | Jimmy Page; Jim Root; Geddy Lee | Orange PPC412 4x12 cabinet | Orange PPC412 4x12. | |
| CAB | Guitar Cab L | Tang 4x12 B | Orange | Jimmy Page; Jim Root; Geddy Lee | vintage Orange 4x12 cabinet | Orange 4x12 vintage. | |
| CAB | Guitar Cab L | Tang 4x12 C | Orange | Jimmy Page; Jim Root; Geddy Lee | custom vintage Orange 4x12 cabinet | Orange 4x12 vintage custom. | |
| CAB | Guitar Cab L | Messe 4x12 A | Mesa/Boogie | John Petrucci; Metallica; Mark Tremonti | Mesa/Boogie 4x12 with Vintage Black Shadow speakers | Mesa/Boogie 4x12 com Vintage Black Shadow. | |
| CAB | Guitar Cab L | Messe 4x12 B | Mesa/Boogie / Celestion | John Petrucci; Metallica; Mark Tremonti | Mesa/Boogie 4x12 with Celestion Vintage 30 | Mesa/Boogie 4x12 com Celestion Vintage 30. | |
| CAB | Guitar Cab L | Rector 4x12 A | Mesa/Boogie / Eminence | John Petrucci; Metallica; Mark Tremonti | custom Mesa/Boogie Rectifier 4x12 with Eminence speakers | Rectifier 4x12 custom com Eminence. | |
| CAB | Guitar Cab L | Rector 4x12 B | Mesa/Boogie | John Petrucci; Metallica; Mark Tremonti | Mesa/Boogie Rectifier Traditional 4x12 | Rectifier Traditional 4x12. | |
| CAB | Guitar Cab L | Rector 4x12 C | Mesa/Boogie | John Petrucci; Metallica; Mark Tremonti | Mesa/Boogie Rectifier Oversized 4x12 | Rectifier Oversized 4x12. | |
| CAB | Guitar Cab L | Rector 4x12 D | Mesa/Boogie / Celestion | John Petrucci; Metallica; Mark Tremonti | custom Mesa/Boogie Rectifier 4x12 with Celestion G12M-65 | Rectifier 4x12 custom com Celestion G12M-65. | |
| CAB | Bass Cab | Ampage 2x10 A | Ampeg | Geddy Lee; Flea; Billy Sheehan | vintage Ampeg 2x10 cabinet | Ampeg 2x10 vintage. | |
| CAB | Bass Cab | Ampage 2x10 B | Ampeg | Geddy Lee; Flea; Billy Sheehan | Ampeg SVT-210AV 2x10 cabinet | Ampeg SVT-210AV 2x10. | |
| CAB | Bass Cab | Ampage 2x10 C | Ampeg | Geddy Lee; Flea; Billy Sheehan | modified vintage Ampeg 2x10 cabinet | Ampeg 2x10 vintage modificado. | |
| CAB | Bass Cab | Ampage 2x10 D | Ampeg | Geddy Lee; Flea; Billy Sheehan | Ampeg SVT-210AV 2x10 with Ampeg speakers | Ampeg SVT-210AV 2x10 com falantes Ampeg. | |
| CAB | Bass Cab | Ampage 4x10 A | Ampeg | Geddy Lee; Flea; Billy Sheehan | vintage Ampeg 4x10 cabinet | Ampeg 4x10 vintage. | |
| CAB | Bass Cab | Ampage 4x10 B | Ampeg | Geddy Lee; Flea; Billy Sheehan | Ampeg SVT-410HLF 4x10 cabinet | Ampeg SVT-410HLF 4x10. | |
| CAB | Bass Cab | Ampage 4x10 C | Ampeg | Geddy Lee; Flea; Billy Sheehan | modified Ampeg SVT-410HLF 4x10 cabinet | Ampeg SVT-410HLF 4x10 modificado. | |
| CAB | Bass Cab | Ampage 4x10 D | Ampeg | Geddy Lee; Flea; Billy Sheehan | modified vintage Ampeg 4x10 cabinet | Ampeg 4x10 vintage modificado. | |
| IR | Acoustic IR | Dreadnought 1 | Acoustic Guitar | Referência acústica; sem artista específico | Dreadnought steel-string acoustic guitar | IR/acoustic simulator de violão dreadnought de aço. | |
| IR | Acoustic IR | Dreadnought 2 | Acoustic Guitar | Referência acústica; sem artista específico | Dreadnought steel-string acoustic guitar | Outra variação de dreadnought de aço. | |
| IR | Acoustic IR | Orchestral | Acoustic Guitar | Referência acústica; sem artista específico | OM steel-string acoustic guitar | IR/acoustic simulator de violão OM de aço. | |
| IR | Acoustic IR | Jumbo | Acoustic Guitar | Referência acústica; sem artista específico | Jumbo steel-string acoustic guitar | IR/acoustic simulator de violão jumbo de aço. | |
| IR | Acoustic IR | Hum Bird | Gibson | Referência acústica; sem artista específico | Gibson Hummingbird style steel-string acoustic guitar | Referência a violão icônico H-Bird/Hummingbird. | |
| IR | Acoustic IR | Auditorium | Acoustic Guitar | Referência acústica; sem artista específico | GA steel-string acoustic guitar | IR/acoustic simulator de violão Grand Auditorium. | |
| IR | Acoustic IR | Classical | Classical Guitar | Referência acústica; sem artista específico | classical guitar | IR/acoustic simulator de violão clássico. | |
| IR | Acoustic IR | Mandolin | Mandolin | Referência acústica; sem artista específico | mandolin | IR/acoustic simulator de bandolim. | |
| IR | Acoustic IR | Fretless Bass | Acoustic Bass | Referência acústica; sem artista específico | fretless acoustic bass guitar | IR/acoustic simulator de baixo acústico fretless. | |
| IR | Acoustic IR | Double Bass | Double Bass | Referência acústica; sem artista específico | double bass | IR/acoustic simulator de contrabaixo acústico. | |
| IR | Celestion IR | Blue 1x12 Close | Celestion | Referência Celestion; sem artista específico | 1x12 closed back cabinet with Celestion Alnico Blue | IR Celestion 1x12 fechado com Alnico Blue. | |
| IR | Celestion IR | Blue 1x12 Open | Celestion | Referência Celestion; sem artista específico | 1x12 open back cabinet with Celestion Alnico Blue | IR Celestion 1x12 aberto com Alnico Blue. | |
| IR | Celestion IR | G12H-C 1x12 Close | Celestion | Referência Celestion; sem artista específico | 1x12 closed back cabinet with Celestion G12H Creamback | IR Celestion 1x12 fechado com G12H Creamback. | |
| IR | Celestion IR | G12H-C 1x12 Open | Celestion | Referência Celestion; sem artista específico | 1x12 open back cabinet with Celestion G12H Creamback | IR Celestion 1x12 aberto com G12H Creamback. | |
| IR | Celestion IR | Blue 2x12 Close | Celestion | Referência Celestion; sem artista específico | 2x12 closed back cabinet with Celestion Alnico Blue | IR Celestion 2x12 fechado com Alnico Blue. | |
| IR | Celestion IR | Blue 2x12 Open | Celestion | Referência Celestion; sem artista específico | 2x12 open back cabinet with Celestion Alnico Blue | IR Celestion 2x12 aberto com Alnico Blue. | |
| IR | Celestion IR | G12H-A 2x12 Close | Celestion | Referência Celestion; sem artista específico | 2x12 closed back cabinet with Celestion G12H Anniversary | IR Celestion 2x12 fechado com G12H Anniversary. | |
| IR | Celestion IR | G12H-A 2x12 Open | Celestion | Referência Celestion; sem artista específico | 2x12 open back cabinet with Celestion G12H Anniversary | IR Celestion 2x12 aberto com G12H Anniversary. | |
| IR | Celestion IR | G12H-C 2x12 Close | Celestion | Referência Celestion; sem artista específico | 2x12 closed back cabinet with Celestion G12H Creamback | IR Celestion 2x12 fechado com G12H Creamback. | |
| IR | Celestion IR | G12H-C 2x12 Open | Celestion | Referência Celestion; sem artista específico | 2x12 open back cabinet with Celestion G12H Creamback | IR Celestion 2x12 aberto com G12H Creamback. | |
| IR | Celestion IR | G12M-C 2x12 Close | Celestion | Referência Celestion; sem artista específico | 2x12 closed back cabinet with Celestion G12M Creamback | IR Celestion 2x12 fechado com G12M Creamback. | |
| IR | Celestion IR | G12M-C 2x12 Open | Celestion | Referência Celestion; sem artista específico | 2x12 open back cabinet with Celestion G12M Creamback | IR Celestion 2x12 aberto com G12M Creamback. | |
| IR | Celestion IR | Green 2x12 | Celestion | Referência Celestion; sem artista específico | 2x12 closed back cabinet with Celestion G12M Greenback | IR Celestion 2x12 fechado com Greenback. | |
| IR | Celestion IR | V30 2x12 | Celestion | Referência Celestion; sem artista específico | 2x12 closed back cabinet with Celestion Vintage 30 | IR Celestion 2x12 fechado com Vintage 30. | |
| IR | Celestion IR | G12-65 4x12 | Celestion | Referência Celestion; sem artista específico | 4x12 closed back cabinet with Celestion G12-65 | IR Celestion 4x12 fechado com G12-65. | |
| IR | Celestion IR | G12H-A 4x12 | Celestion | Referência Celestion; sem artista específico | 4x12 closed back cabinet with Celestion G12H Anniversary | IR Celestion 4x12 fechado com G12H Anniversary. | |
| IR | Celestion IR | G12H-C 4x12 | Celestion | Referência Celestion; sem artista específico | 4x12 closed back cabinet with Celestion G12H Creamback | IR Celestion 4x12 fechado com G12H Creamback. | |
| IR | Celestion IR | G12M-C 4x12 | Celestion | Referência Celestion; sem artista específico | 4x12 closed back cabinet with Celestion G12M Creamback | IR Celestion 4x12 fechado com G12M Creamback. | |
| IR | Celestion IR | Green 4x12 | Celestion | Referência Celestion; sem artista específico | 4x12 closed back cabinet with Celestion G12M Greenback | IR Celestion 4x12 fechado com Greenback. | |
| IR | Celestion IR | V30 4x12 | Celestion | Referência Celestion; sem artista específico | 4x12 closed back cabinet with Celestion Vintage 30 | IR Celestion 4x12 fechado com Vintage 30. | |
| IR | User IR | User IR 1~50 | Usuário | IR personalizado; sem artista específico | User IR custom 24-bit 44.1kHz mono WAV | Slots para carregar seus próprios arquivos IR. | |
| FREQ | Acoustic | Acoustic Refiner | Hotone / modelo próprio | Violão/piezo; sem artista específico | Acoustic refiner para violão/piezo | Realça timbre acústico plugado, especialmente captação piezo. | |
| FREQ | Acoustic | AC Sim | Hotone / modelo próprio | Simulador acústico; sem artista específico | Acoustic simulator para guitarra elétrica | Simula timbres de violão Standard/Jumbo/Enhanced/Piezo. | |
| FREQ | Filter | Low Pass | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Filtro passa-baixa | Deixa passar graves e atenua agudos. | |
| FREQ | Filter | Band Pass | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Filtro passa-faixa | Deixa passar uma faixa de frequência e atenua o restante. | |
| FREQ | Filter | High Pass | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Filtro passa-alta | Deixa passar agudos e atenua graves. | |
| FREQ | Filter | Notch | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Filtro notch | Filtro estreito para remover feedback ou ressonância. | |
| FREQ | Filter | Peak | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Filtro peak/paramétrico | Boost/cut em faixa específica, como banda de EQ paramétrico. | |
| FREQ | Filter | Low Shelf | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Filtro low shelf | Boost/cut abaixo de uma frequência definida. | |
| FREQ | Filter | High Shelf | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Filtro high shelf | Boost/cut acima de uma frequência definida. | |
| FREQ | Filter | Tilt EQ | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Tilt EQ | Inclina o espectro: aumenta um lado e reduz o outro. | |
| FREQ | Filter | Moo VCF LP | Moog | Referência Moog/synth; sem artista específico | Moog VCF-style low-pass filter | Filtro inspirado no Moog VCF. | |
| FREQ | Filter | Moo VCF BP | Moog | Referência Moog/synth; sem artista específico | Moog VCF-style band-pass filter | Filtro inspirado no Moog VCF. | |
| FREQ | Filter | Moo VCF HP | Moog | Referência Moog/synth; sem artista específico | Moog VCF-style high-pass filter | Filtro inspirado no Moog VCF. | |
| FREQ | Envelope Filter | Toucher G | Hotone / modelo próprio | Funk/fusion; sem artista específico | Envelope filter para guitarra | Filtro sensível à dinâmica para auto-wah/funk/synth. | |
| FREQ | Envelope Filter | Toucher B | Hotone / modelo próprio | Funk bass; Bootsy Collins como referência sonora | Envelope filter para baixo | Filtro sensível à dinâmica ajustado para baixo. | |
| FREQ | Envelope Filter | Moo VCF Env | Moog | Referência Moog/synth; sem artista específico | Moog VCF-style envelope filter | Envelope filter inspirado no Moog VCF. | |
| FREQ | Envelope Filter | Envelope | Hotone / modelo próprio | Funk/fusion; sem artista específico | Envelope filter customizável | Filtro de envelope para wah funky, robot talk e sweeps. | |
| FREQ | Auto Filter | Crier G | Hotone / modelo próprio | Funk/fusion; sem artista específico | Auto-wah/band-pass para guitarra | Auto-wah controlável para guitarra. | |
| FREQ | Auto Filter | Crier B | Hotone / modelo próprio | Funk bass; sem artista específico | Auto-wah/band-pass para baixo | Auto-wah controlável para baixo. | |
| FREQ | Auto Filter | LFO Filter | Hotone / modelo próprio | Efeito de modulação/filtro; sem artista específico | LFO-based auto filter estéreo | Filtro automático por LFO com várias formas de onda. | |
| FREQ | Auto Filter | Vocal Filter | Hotone / modelo próprio | Efeito vocal/formant; sem artista específico | Filtro vocal/formant estéreo | Filtro automático com caráter de vogais/voz humana. | |
| FREQ | Auto Filter | Path Filter 4 | Hotone / modelo próprio | Efeito synth/sequencer; sem artista específico | Filtro sequenciado de 4 passos | Sequenciador de filtro para timbres synth-like. | |
| FREQ | Auto Filter | Path Filter 8 | Hotone / modelo próprio | Efeito synth/sequencer; sem artista específico | Filtro sequenciado de 8 passos | Sequenciador de filtro para timbres synth-like. | |
| FREQ | Auto Filter | Pattern Filter | Hotone / modelo próprio | Efeito synth/sequencer; sem artista específico | Pattern filter de até 8 passos | Filtro sequenciado com padrões rítmicos. | |
| FREQ | Pitch | Analog Octa 1 | Hotone / modelo próprio | Octaver clássico; sem artista específico | Octaver analógico monofônico | Octaver vintage sujo com oitavas inferiores. | |
| FREQ | Pitch | Analog Octa 2 | Hotone / modelo próprio | Octaver clássico; sem artista específico | Octaver analógico monofônico | Variação de octaver vintage sujo. | |
| FREQ | Pitch | Digital Octa | Hotone / modelo próprio | Octaver polifônico; sem artista específico | Octaver digital polifônico | Octaver polifônico com oitava acima/abaixo. | |
| FREQ | Pitch | Dual Pitch | Hotone / modelo próprio | Harmonizer/pitch; sem artista específico | Pitch shifter polifônico 2 vozes | Pitch shifter com duas vozes independentes. | |
| FREQ | Pitch | Quad Pitch | Hotone / modelo próprio | Harmonizer/pitch; sem artista específico | Pitch shifter polifônico 4 vozes | Pitch shifter com quatro vozes independentes. | |
| FREQ | Pitch | Classic PS | DigiTech | Tom Morello; Steve Vai; Jack White | DigiTech Whammy-style pitch shifter | Pitch shifter monofônico estilo Whammy. | |
| FREQ | Pitch | Pitch Shift | Hotone / modelo próprio | Pitch shifter; sem artista específico | Pitch shifter polifônico | Pitch shifter polifônico com controle por expressão. | |
| FREQ | Pitch | Detune | Hotone / modelo próprio | Efeito detune/chorus; sem artista específico | Detune/chorus-like pitch effect | Detune simples para textura semelhante a chorus. | |
| FREQ | Pitch | Dual Detune | Hotone / modelo próprio | Efeito detune/chorus; sem artista específico | Dual detune effect | Detune duplo com pan, delay e tone. | |
| FREQ | Pitch | Quad Detune | Hotone / modelo próprio | Efeito detune/chorus; sem artista específico | Quad detune effect | Detune de quatro vozes. | |
| FREQ | Pitch | 80s Detune | DigiTech | Steve Vai; Dimebag Darrell; Tom Morello | DigiTech Whammy-style 1980s red pitch pedal | Detune inspirado no pedal vermelho lendário dos anos 80. | |
| FREQ | Pitch | String Shifter | Hotone / modelo próprio | Capo virtual/downtune; sem artista específico | Virtual capo/down-tuning pitch shifter | Pitch shifter polifônico para capo virtual e afinações mais graves. | |
| FREQ | Pitch | Harmony 1 | Hotone / modelo próprio | Harmonizer; sem artista específico | Harmonizer automático monofônico 1 voz | Harmonizador automático de uma voz. | |
| FREQ | Pitch | Harmony 2 | Hotone / modelo próprio | Harmonizer; sem artista específico | Harmonizer automático monofônico 2 vozes | Harmonizador automático de duas vozes. | |
| FREQ | Pitch | Bass Line | Hotone / modelo próprio | Efeito de baixo automático; sem artista específico | Octaver polifônico com range para linha de baixo | Adiciona harmonia de oitava grave como linha de baixo automática. | |
| FREQ | Pitch | Pitch Shift HQ | Hotone / modelo próprio | Pitch shifter; sem artista específico | Pitch shifter HQ polifônico | Pitch shifter HQ com melhor estabilidade e afinação. | |
| FREQ | Special | 12-Stringer | Hotone / modelo próprio | Roger McGuinn; The Byrds como referência sonora | 12-string guitar simulator | Simula guitarra de 12 cordas. | |
| FREQ | Special | Bit Krusher | Hotone / modelo próprio | Lo-fi/experimental; sem artista específico | Bitcrusher/sample-rate reducer | Bitcrusher/sample rate reducer com filtros. | |
| FREQ | Special | Ring Mod | Hotone / modelo próprio | Jeff Beck; Jonny Greenwood como referência sonora | Ring modulator | Modulador em anel para sons metálicos e inarmônicos. | |
| FREQ | Special | Telephone Line | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Old telephone filter | Filtro que simula som de telefone antigo. | |
| FREQ | Special | Satisfaction | Hotone / modelo próprio | Tape saturation; sem artista específico | Tape saturation simulator | Simulador de saturação de fita/reel-to-reel. | |
| FREQ | Special | Mic Lab | Hotone / modelo próprio | Efeito utilitário; sem artista específico | Vintage microphone simulator | Simulador de microfone vintage. | |
| FREQ | Special | Freeze | Hotone / modelo próprio | Ambient/soundscape; sem artista específico | Freeze/infinite sustain effect | Congela o som/gera sustain infinito enquanto ativado. | |
| FREQ | Vocal | Vocal Harmony | Hotone / modelo próprio | Efeito vocal; sem artista específico | Vocal harmonizer dual voice | Harmonizador vocal automático de duas vozes. | |
| FREQ | Vocal | Vocal Pitch Correction | Hotone / modelo próprio | Efeito vocal; sem artista específico | Automatic vocal pitch correction | Correção automática simples de afinação vocal. | |
| FREQ | Vocal | AT-Tune | Hotone / modelo próprio | Auto-Tune-style vocal effect; sem artista específico | Automatic vocal pitch correction/shift | Correção/shift vocal com caráter robótico quando exagerado. | |
| DLY | Analog Delay | Analog Delay M | Hotone / modelo próprio | David Gilmour; The Edge; John Frusciante como referência sonora | Vintage analog delay machine | Delay analógico quente e natural. | |
| DLY | Analog Delay | Analog Delay S | Hotone / modelo próprio | David Gilmour; The Edge; John Frusciante como referência sonora | Vintage analog delay machine | Delay analógico quente e natural. | |
| DLY | Analog Delay | BBD Delay M | Hotone / BBD-style | Analog delay/BBD; sem artista específico | BBD analog delay | Delay analógico baseado em chips BBD, mais arredondado. | |
| DLY | Analog Delay | BBD Delay S | Hotone / BBD-style | Analog delay/BBD; sem artista específico | BBD analog delay | Delay analógico baseado em chips BBD, mais arredondado. | |
| DLY | Digital Delay | Digital Delay M | Hotone / modelo próprio | The Edge; David Gilmour como referência sonora | Clean digital delay | Delay digital limpo e preciso. | |
| DLY | Digital Delay | Digital Delay S | Hotone / modelo próprio | The Edge; David Gilmour como referência sonora | Clean digital delay | Delay digital limpo e preciso. | |
| DLY | Digital Delay | Digital Delay HQ | Hotone / modelo próprio | Delay digital moderno; sem artista específico | Popular 11-mode digital reverb/delay pedal-style delay | Delay digital HQ baseado em pedal digital de reverb/delay multi-modo. | |
| DLY | Tape Delay | Tape Delay M | Tape echo-style | David Gilmour; Brian May; The Edge como referência sonora | Tape echo machine | Delay/eco de fita com wow/flutter, desgaste e drive. | |
| DLY | Tape Delay | Tape Delay S | Tape echo-style | David Gilmour; Brian May; The Edge como referência sonora | Tape echo machine | Delay/eco de fita com wow/flutter, desgaste e drive. | |
| DLY | Stereo Delay | Dual Delay | Hotone / modelo próprio | Efeito estéreo; sem artista específico | Stereo dual delay | Delay estéreo duplo com canais L/R independentes. | |
| DLY | Stereo Delay | Ping-Pong | Hotone / modelo próprio | U2/The Edge como referência sonora | Ping-pong delay | Delay estéreo que alterna repetições entre L/R. | |
| DLY | Modulated Delay | Sweep Delay | Hotone / modelo próprio | Efeito delay/modulação; sem artista específico | Sweep filter delay | Delay com filtro sweep nas repetições. | |
| DLY | Modulated Delay | Tremolo Delay | Hotone / modelo próprio | Soundscape/ambient; sem artista específico | Tremolo delay | Delay com tremolo apenas nas repetições. | |
| DLY | Lo-Fi Delay | Lo-Fi Delay | Hotone / modelo próprio | Lo-fi/experimental; sem artista específico | Bitcrushed lo-fi delay | Delay com bitcrusher nas repetições. | |
| DLY | Special Delay | Ring Delay | Hotone / modelo próprio | Experimental; sem artista específico | Ring-mod delay | Delay com ring modulation nas repetições. | |
| DLY | Reverse Delay | Reverse Delay | Hotone / modelo próprio | Jimi Hendrix; Kevin Shields como referência sonora | Reverse delay | Delay que reproduz o sinal ao contrário. | |
| DLY | Rack Delay | Vintage Rack | Hotone / rack-style | Rack delay 80s; sem artista específico | 1980s rack delay | Delay rack dos anos 80 com repetições levemente sample-reduced. | |
| DLY | Ambience | Ambience 1 | Hotone / modelo próprio | Ambient/post-rock; sem artista específico | Multi-tap ambience delay | Delay multi-tap para sensação de espaço. | |
| DLY | Ambience | Ambience 2 | Hotone / modelo próprio | Ambient/post-rock; sem artista específico | Multi-tap ambience delay | Delay multi-tap para sensação de espaço. | |
| DLY | Complex Delay | Infidelay 1 | Hotone / modelo próprio | Ambient/shimmer; sem artista específico | 4-line matrix feedback delay | Delay complexo com 4 linhas e matriz de feedback. | |
| DLY | Complex Delay | Infidelay 2 | Hotone / modelo próprio | Ambient/shimmer; sem artista específico | 4-line matrix feedback delay | Delay complexo com 4 linhas e matriz de feedback. | |
| DLY | Analog Delay | Sweetie | Boss-style | John Frusciante; Jeff Beck como referência sonora | Boss DM-2-style analog BBD delay | Delay BBD quente em caixa vermelha/vinho com Repeat Rate. | |
| DLY | Analog Delay | Recaller | Electro-Harmonix | The Edge; Andy Summers; John Frusciante | Electro-Harmonix Deluxe Memory Man | Baseado no EHX Deluxe Memory Man/Solid State Echo. | |
| DLY | Analog Delay | Ekopress 80 | Maxon | Analog delay; sem artista específico | Maxon AD80 Analog Delay | Baseado no Maxon AD80 Analog Delay. | |
| DLY | Analog Delay | Ekopress 900 | Maxon | Analog delay; sem artista específico | Maxon AD900 Analog Delay | Baseado no Maxon AD900 Analog Delay. | |
| DLY | Analog Delay | Ekopress 999 | Maxon | Analog delay; sem artista específico | Maxon AD999 Analog Delay | Baseado no Maxon AD999 Analog Delay. | |
| DLY | Rack Delay | 2290 Mod | TC Electronic | The Edge; David Gilmour; John Petrucci | TC Electronic 2290 Dynamic Digital Delay | Baseado no TC Electronic 2290 com modulação. | |
| DLY | Rack Delay | 2290 Ducker | TC Electronic | The Edge; David Gilmour; John Petrucci | TC Electronic 2290 Dynamic Digital Delay ducking delay | Ducking delay baseado no TC Electronic 2290. | |
| DLY | Tape Delay | Multitap Echo | Multi-head tape echo-style | Roland Space Echo; The Edge como referência sonora | Multi-head tape echo unit | Delay multi-tap recriando unidade de eco de fita multi-cabeças. | |
| DLY | Special Delay | Glitch Delay | Hotone / modelo próprio | Experimental/ambient; sem artista específico | Glitch delay | Delay com feedback aleatório estilo CD travando. | |
| DLY | Special Delay | Icy Delay | Hotone / modelo próprio | Ambient/shimmer; sem artista específico | Pitch-shifted slice delay | Delay com fatias pitch-shifted e feedback normal. | |
| DLY | Special Delay | Bloodless Delay | Hotone / modelo próprio | Ambient/shimmer; sem artista específico | Stereo pitch-shifted slice delay | Delay com fatias pitch-shifted espalhadas em L/R. | |
| RVB | Reverb | Studio | Hotone / modelo próprio | Estúdio; sem artista específico | Recording studio reverb | Recria a ambiência de estúdio. | |
| RVB | Reverb | Club | Hotone / modelo próprio | Ambiência de palco; sem artista específico | Club reverb | Recria a ambiência de clube pequeno. | |
| RVB | Reverb | Concert | Hotone / modelo próprio | Ambiência de hall; sem artista específico | Concert hall reverb | Recria a ambiência de sala de concerto. | |
| RVB | Reverb | Arena | Hotone / modelo próprio | Arena rock; sem artista específico | Live arena reverb | Recria a ambiência de uma arena ao vivo. | |
| RVB | Reverb | Small Plate | Hotone / modelo próprio | Plate reverb; sem artista específico | Small plate reverb | Simula reverberador de placa pequeno. | |
| RVB | Reverb | Large Plate | Hotone / modelo próprio | Plate reverb; sem artista específico | Large plate reverb | Simula reverberador de placa grande. | |
| RVB | Plate Reverb | 140 Plate HQ | EMT | Abbey Road; Pink Floyd como referência sonora | EMT 140 plate reverb | Reverb HQ baseado no clássico EMT 140 Plate. | |
| RVB | Spring Reverb | Combo Spring | Amp spring reverb-style | Dick Dale; surf guitar como referência sonora | Solid-state combo amp spring reverb | Simula reverb de mola de combo amp. | |
| RVB | Spring Reverb | Tube Spring | Tube-driven spring reverb-style | Dick Dale; surf guitar como referência sonora | Vintage tube-driven spring reverb unit | Simula unidade de reverb de mola valvulada. | |
| RVB | Shimmer | Shimmer 1 | Hotone / modelo próprio | The Edge; ambient worship como referência sonora | Shimmer reverb variation 1 | Reverb brilhante/shimmer, variação 1. | |
| RVB | Shimmer | Shimmer 2 | Hotone / modelo próprio | The Edge; ambient worship como referência sonora | Shimmer reverb variation 2 | Reverb brilhante/shimmer, variação 2. | |
| RVB | Ambient Reverb | Cloud | Hotone / modelo próprio | Ambient/post-rock; sem artista específico | Cloud ambient reverb | Reverb grande e espesso como nuvens. | |
| RVB | Ambient Reverb | Silver Linings | Hotone / modelo próprio | Ambient/post-rock; sem artista específico | Huge lush cloud reverb | Reverb grande, cheio e brilhante. | |
| RVB | Reverb HQ | Velvet Verb HQ | Hotone / modelo próprio | Ambient/worship; sem artista específico | Clean smooth high-quality reverb | Reverb HQ limpo e suave. | |
| PRE | Comp | COMP | Valeton / modelo próprio | Sem referência direta | the Ross Compressor | Valeton; página 1 do PDF. Based on the legendary Ross™ Compressor. This is the originator of the guitar compression effect. It brings the guitar compression effect to the public and becomes an… | |
| PRE | Comp | COMP4 | Valeton / modelo próprio | Sem referência direta | the Keeley C4 4-knob compressor | Valeton; página 1 do PDF. Based on the Keeley ® C4 4-knob compressor*. A recording studio - level compression effect.Clear sense of hierarchy, the right amount of high frequency makes your guitar… | |
| PRE | Comp | S-Comp | Valeton / modelo próprio | Sem referência direta | Flexible, fully adjustable compressor effect | Valeton; página 1 do PDF. Flexible, fully adjustable compressor effect | |
| PRE | Boost | Micro Boost | MXR | Sem referência direta | the MXR M133 Micro Amp2 pedal | Valeton; página 1 do PDF. Based on the legendary MXR® M133 Micro Amp2 pedal. Providing up to 20dB of gain, the Micro Boost elevates your amp sound without changing its tonal character. | |
| PRE | Boost | AC Boost | Xotic | Sem referência direta | Xotic AC Booster | Valeton; página 1 do PDF. Based on famous Xotic® AC Booster* pedal, It is a beautiful smooth sounding drive/boost pedal that it perfect for giving your tube amp a bit of extra grunt. | |
| PRE | Boost | B-Boost | Xotic | Sem referência direta | Any guitarist can benefit from the Xotic® BB Preamp* overdrive pedal | Valeton; página 2 do PDF. Any guitarist can benefit from the Xotic® BB Preamp* overdrive pedal. The pedal works equally well for getting thick and creamy overdrive tones with great sustain as it… | |
| PRE | Boost | P-Boost | Xotic | Sem referência direta | Xotic RC Booster | Valeton; página 2 do PDF. Based famous on Xotic® RC Booster* provides you with super- transparent 20dB boost without altering your carefully crafted tone. And it offers an added gain channel for… | |
| PRE | Boost | 14 Boost | Fortin | Sem referência direta | FortinGrind | Valeton; página 2 do PDF. Based famous on Fortin®Grind*. It gives you up to +20dB of boost that will tighten up and add aggression to any tube or solid-state amplifier. The GRIND’s surprising low… | |
| PRE | Boost | FAT BB | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | This is a clean boost and pre-amp with a switchable low-cut filter and separate bass and treble cont | Valeton; página 2 do PDF. This is a clean boost and pre-amp with a switchable low-cut filter and separate bass and treble controls. | |
| PRE | Boost | Boost | Xotic | Sem referência direta | Xotic EP Booster | Valeton; página 2 do PDF. Based on famous Xotic® EP Booster* pedal. Provides +20DB of pure stimulation lift, strong low frequency, bright high frequency, making clear sound more pleasant. | |
| PRE | OD | OD 9 | Valeton / modelo próprio | Sem referência direta | The Ibanez® Tube Screamer® is synonymous with the transparent overdrive tone used by many of today's | Valeton; página 3 do PDF. The Ibanez® Tube Screamer® is synonymous with the transparent overdrive tone used by many of today's top guitarists. The TS9 pedal boosts the guitar signal enough to… | |
| PRE | OD | Yellow OD | Valeton / modelo próprio | Sem referência direta | Artist of the 70's was mostly using a fuzz distortion sound and the overdrive produced by it was not | Valeton; página 3 do PDF. Artist of the 70's was mostly using a fuzz distortion sound and the overdrive produced by it was not typical. It was however soon accepted as the new standard of guitar… | |
| PRE | OD | Penesas | Klon | Sem referência direta | the Klon Centaur | Valeton; página 3 do PDF. Based on the legendary Klon® Centaur*, this overdrive model gives you an authentic amp-in-a-box feel with full, rich sound character that is not harsh or boomy at all.… | |
| PRE | OD | Super OD | Valeton / modelo próprio | Sem referência direta | The unique asymmetric overdrive effect circuit adds warm and pleasant overdrive effect to the tradit | Valeton; página 3 do PDF. The unique asymmetric overdrive effect circuit adds warm and pleasant overdrive effect to the traditional guitar timbre. | |
| PRE | OD | Blues OD | Valeton / modelo próprio | Sem referência direta | Whether it's warm and natural overdrive or full open distortion, it gives your guitar the most expre | Valeton; página 3 do PDF. Whether it's warm and natural overdrive or full open distortion, it gives your guitar the most expression, makes it easy to control the tone, and allows for subtle… | |
| PRE | Acoustic | AC Refiner | Valeton / modelo próprio | Sem referência direta | Designed for acoustic instruments, bringing you a more natural "woody" acoustic sound | Valeton; página 3 do PDF. Designed for acoustic instruments, bringing you a more natural "woody" acoustic sound | |
| PRE | Acoustic | AC Sim | Valeton / modelo próprio | Sem referência direta | Acoustic guitar simulator designed for guitars | Valeton; página 4 do PDF. Acoustic guitar simulator designed for guitars. Its prototype comes from a classic acoustic guitar analog stompbox. | |
| PRE | Filter | T-Wah | Valeton / modelo próprio | Sem referência direta | Control the wah sound by playing intensity.A wide range d envelope filter (a.k.a | Valeton; página 4 do PDF. Control the wah sound by playing intensity.A wide range d envelope filter (a.k.a. touch wah) designed for guitarists and bassists that is touch-sensitive and flexible | |
| PRE | Auto Filter | A-WAH | ProCo | Jeff Beck; Kurt Cobain | Set the rate to make the wah pedal work regularly | Valeton; página 4 do PDF. Set the rate to make the wah pedal work regularly. Providing a variable auto wah effect for both guitars and basses. | |
| PRE | Filter | Step Filter | Valeton / modelo próprio | Sem referência direta | A 4-step auto filter machine for creating synth-like sounds | Valeton; página 4 do PDF. A 4-step auto filter machine for creating synth-like sounds | |
| PRE | Pitch | OCTA | Valeton / modelo próprio | Sem referência direta | Provides polyphonic octave effect. | Valeton; página 4 do PDF. Provides polyphonic octave effect. | |
| PRE | Pitch | Pitch | Valeton / modelo próprio | Sem referência direta | Polyphonic pitch shifter/harmonizer. | Valeton; página 5 do PDF. Polyphonic pitch shifter/harmonizer. | |
| PRE | Pitch | P-Bend | Valeton / modelo próprio | Sem referência direta | Polyphonic pitch shifter/harmonizer. | Valeton; página 5 do PDF. Polyphonic pitch shifter/harmonizer. | |
| PRE | Pitch | Hammy | DigiTech | Sem referência direta | Whammy | Valeton; página 5 do PDF. Based on classic Whammy®* monophonic pitch shifter pedal. Assign the Position parameter to expression pedal, then move the pedal to get the effect. | |
| PRE | Pitch | Harmonizer 1 | Valeton / modelo próprio | Sem referência direta | This model is a monophonic single voice automatic harmonizer with max | Valeton; página 5 do PDF. This model is a monophonic single voice automatic harmonizer with max. one octave pitch shifting range. Detailed Key, Scale and Interval settings can bring you lots of… | |
| PRE | Pitch | Harmonizer 2 | Valeton / modelo próprio | Sem referência direta | This model is a monophonic dual voice automatic harmonizer with max | Valeton; página 5 do PDF. This model is a monophonic dual voice automatic harmonizer with max. one octave pitch shifting range. Detailed Key, Scale and Interval settings can bring you lots of fun. | |
| PRE | Special | Ring Mod | Valeton / modelo próprio | Sem referência direta | A ring modulator for creating intresting inharmonic frequency spectra (like bells and chimes. | Valeton; página 5 do PDF. A ring modulator for creating intresting inharmonic frequency spectra (like bells and chimes. | |
| PRE | Special | Saturate | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | Vintage tape saturation simulater providing analog warmth and natural distortion. | Valeton; página 6 do PDF. Vintage tape saturation simulater providing analog warmth and natural distortion. | |
| PRE | Special | Auto Swell | Valeton / modelo próprio | Sem referência direta | This is an auto swell effect with two parameters that are easy to understand and use | Valeton; página 6 do PDF. This is an auto swell effect with two parameters that are easy to understand and use. It can make the guitar sound like a violin. | |
| PRE | Special | Hold | Valeton / modelo próprio | Sem referência direta | This is a freeze effect that can freeze the sound for a short period of time before the effect is ac | Valeton; página 6 do PDF. This is a freeze effect that can freeze the sound for a short period of time before the effect is activated and make it play in a loop. The Activate parameter can be… | |
| PRE | Special | Freeze | Valeton / modelo próprio | Sem referência direta | This is a freeze effect that can freeze the sound at the moment of activation and keep it playing wh | Valeton; página 6 do PDF. This is a freeze effect that can freeze the sound at the moment of activation and keep it playing when the effect is activated. The Activate parameter can be assigned to… | |
| WAH | Wah | V-Wah | VOX | Sem referência direta | VOX V846 | Valeton; página 7 do PDF. Based on legendary VOX® V846* wah pedal. The earliest wa-wah pedal was originally designed to allow the wind instrument passing through it to produce a more emotionally… | |
| WAH | Wah | C-Wah | Dunlop | Sem referência direta | Dunlop CryBaby | Valeton; página 7 do PDF. Based on legendary Dunlop® CryBaby®* wah pedal. The classic 60's traditional wha pedal, acting between low and medium frequency, moderate amplitude, neutral timbre. | |
| WAH | Wah | P-Wah | Dunlop | John Petrucci | John Petrucci's rack wah settings | Valeton; página 7 do PDF. Based on John Petrucci's rack wah settings, this Cry Baby® Wah features Volume, Q, and six EQ controls for ultimate tonal control over your wah sound. | |
| WAH | Wah | S-Wah | Valeton / modelo próprio | Jimi Hendrix | Classic wah tone | Valeton; página 7 do PDF. Classic wah tone. Just press down and feel the vocal sweep and lush harmonics from the wah's classic era. Its like keeping a tiny jimi hendrix in your pocket. | |
| WAH | Wah | B-Wah | Valeton / modelo próprio | Sem referência direta | Wah designed for basses | Valeton; página 7 do PDF. Wah designed for basses | |
| WAH | Pitch | Hammy | DigiTech | Sem referência direta | Whammy | Valeton; página 7 do PDF. Based on classic Whammy®* monophonic pitch shifter pedal. Assign the Position parameter to expression pedal, then move the pedal to get the effect. | |
| DST | OD | Green OD | Valeton / modelo próprio | Stevie Ray Vaughan; Joe Satriani; Paul Gilbert; Andy Timmons; Kirk Hammett; Stevie Ray Vaughan; Michael Landau; U2 | legenary Ibanez TS-808 Tube Screamer | Valeton; página 8 do PDF. Based on legenary Ibanez® TS-808 Tube Screamer®* overdrive pedal. Since it was first shown to the world in 1979, TS808 has opened up a new world. There are countless… | |
| DST | OD | OD 9 | Valeton / modelo próprio | Sem referência direta | The Ibanez® Tube Screamer® is synonymous with the transparent overdrive tone used by many of today's | Valeton; página 8 do PDF. The Ibanez® Tube Screamer® is synonymous with the transparent overdrive tone used by many of today's top guitarists. The TS9 pedal boosts the guitar signal enough to… | |
| DST | OD | Yellow OD | Valeton / modelo próprio | Sem referência direta | Artist of the 70's was mostly using a fuzz distortion sound and the overdrive produced by it was not | Valeton; página 8 do PDF. Artist of the 70's was mostly using a fuzz distortion sound and the overdrive produced by it was not typical. It was however soon accepted as the new standard of guitar… | |
| DST | OD | Penesas | Klon | Sem referência direta | the Klon Centaur | Valeton; página 8 do PDF. Based on the legendary Klon® Centaur*, this overdrive model gives you an authentic amp-in-a-box feel with full, rich sound character that is not harsh or boomy at all.… | |
| DST | OD | Swarm | Providence | Sem referência direta | The Providence® SOV-2 Stampede OD pedal is designed to deliver natural overdrive without obscuring t | Valeton; página 9 do PDF. The Providence® SOV-2 Stampede OD pedal is designed to deliver natural overdrive without obscuring the inherent characteristics and tone of the guitar being used. It… | |
| DST | OD | Super OD | Valeton / modelo próprio | Sem referência direta | The unique asymmetric overdrive effect circuit adds warm and pleasant overdrive effect to the tradit | Valeton; página 9 do PDF. The unique asymmetric overdrive effect circuit adds warm and pleasant overdrive effect to the traditional guitar timbre. | |
| DST | OD | Scream OD | Valeton / modelo próprio | Sem referência direta | Tube Screamer Style overdrive pedal | Valeton; página 9 do PDF. Based on Tube Screamer® Style overdrive pedal, with unique timbre characteristics. | |
| DST | OD | Blues OD | Valeton / modelo próprio | Sem referência direta | Whether it's warm and natural overdrive or full open distortion, it gives your guitar the most expre | Valeton; página 9 do PDF. Whether it's warm and natural overdrive or full open distortion, it gives your guitar the most expression, makes it easy to control the tone, and allows for subtle… | |
| DST | OD | Force | Fulltone | Sem referência direta | Fulltone® OCD* sounds like finding the “sweet spot” on your favorite amp | Valeton; página 9 do PDF. Fulltone® OCD* sounds like finding the “sweet spot” on your favorite amp. It produces overdriven tones that sound warm and full, with genuine tube-like response. There’s… | |
| DST | OD | Tube | B.K. Butler | Sem referência direta | the B | Valeton; página 9 do PDF. Based on the legendary B. K. Butler® Tube Driver®*. | |
| DST | OD | Blues Master | Marshall | Sem referência direta | The Marshall® BluesBreaker* is a low-gain pedal with exceptional transparent tone | Valeton; página 10 do PDF. The Marshall® BluesBreaker* is a low-gain pedal with exceptional transparent tone. Moderate overdrive and subtle boost are the strong points, though it can get as well… | |
| DST | OD | Master OD | Valeton / modelo próprio | Stevie Ray Vaughan; Joe Satriani; Paul Gilbert; Andy Timmons; Kirk Hammett; Stevie Ray Vaughan; Michael Landau; U2 | The EQ stage is extremely wide, offering treble, mid and bass shaping options and the gain stage goe | Valeton; página 10 do PDF. The EQ stage is extremely wide, offering treble, mid and bass shaping options and the gain stage goes from clean to a well driven plexi kind of tone and that is also… | |
| DST | OD | TaiChi OD | Hermida | Sem referência direta | Hermida® Zendrive® rose to fame because of its tube-like tone | Valeton; página 10 do PDF. Hermida® Zendrive® rose to fame because of its tube-like tone. To get the perfect balance of saturation and harmonics required to result in all of the 'in-tangibles'… | |
| DST | OD | Timmy OD | Paul Cochrane | Sem referência direta | its open | Valeton; página 10 do PDF. Paul Cochrane® Timmy* overdrive was one of the original boutique overdrive pedals, generating a dedicated following based on its open, un-compressed drive tone and good… | |
| DST | OD | Precise OD | Horizon Devices | Sem referência direta | Horizon Devices® Precision Drive* overdrive | Valeton; página 10 do PDF. Horizon Devices® Precision Drive* overdrive. Perfect modern metal rig with precise tonal carving controls. The built-in noise gate ensures the cleanness and clarity of… | |
| DST | OD | Empire OD | Analog.Man | Sem referência direta | Analog.Man Prince of Tone | Valeton; página 10 do PDF. Based on Analog.Man™ Prince of Tone* Overload effect, multi-mode selection, large tone adjustment range to suit different scenes. | |
| DST | Fuzz | Lazaro | Electro-Harmonix | Jimi Hendrix; Santana; Pink Floyd; Jack White | Electro- HarmonixBig Mu Pi | Valeton; página 11 do PDF. Based on legendary Electro- Harmonix®Big Mu Pi®*fuzz/ distortion pedal. It is very individual, warm and thick sound wall, restless but full of beauty. | |
| DST | Fuzz | Red Haze | Dallas-Arbiter | Jimi Hendrix; Santana; Pink Floyd; Jack White | Dallas-Arbiter Fuzz Face | Valeton; página 11 do PDF. Based on legendary Dallas-Arbiter® Fuzz Face®* fuzz pedal. Dallas Arbiter conjured the sound of rock and roll for half a century in 1966 with a few simple transistors.… | |
| DST | Fuzz | Sora Fuzz | Sola Sound | Sem referência direta | For fans of the aggressive germanium fuzz tones that could be wrought from those early units, there’ | Valeton; página 11 do PDF. For fans of the aggressive germanium fuzz tones that could be wrought from those early units, there’s nothing quite like the Sola Sound® Tone Bender*. The Tone Bender’s… | |
| DST | Distortion | Plustortion | MXR | Randy Rhoads | This little yellow box has produced lots of great soundings in countless classic studio albums | Valeton; página 11 do PDF. This little yellow box has produced lots of great soundings in countless classic studio albums. Yeah, we’re talking the legendary MXR® M104 Distortion +*, and this M104-… | |
| DST | Distortion | SM Dist | Orange | Sem referência direta | a orange three- knob distortion effector | Valeton; página 11 do PDF. It is based on a classic orange three- knob distortion effector, which can be used to easily get the timbre characteristics of the 70s-80s. | |
| DST | Distortion | Darktale | ProCo | Jeff Beck; Kurt Cobain | ProCo The Rat | Valeton; página 12 do PDF. Based on legendary ProCo™ The Rat* distortion (early LM308 OP- amp version). The Rat* has come to life thanks to its wide range of Filter knob, bright and compact sound… | |
| DST | Distortion | Chief | Marshall | Sem referência direta | The Marshall® Guv'nor* was released in 1988 and in production during 4 years | Valeton; página 12 do PDF. The Marshall® Guv'nor* was released in 1988 and in production during 4 years. This overdrive/ distortion Made in England effect replicates the classic tube Marshall® Amp… | |
| DST | Distortion | Master Dist | Marshall | Sem referência direta | The Marshall Shredmaster Distortion guitar effect pedal delivers face- melting distortion and that t | Valeton; página 12 do PDF. The Marshall Shredmaster Distortion guitar effect pedal delivers face- melting distortion and that tone you can only get out of a Marshall. The pedal offers treble,… | |
| DST | Distortion | La Charger | MI Audio | Sem referência direta | MI Audio Crunch Box | Valeton; página 12 do PDF. Based on MI Audio® Crunch Box®* distortion peal. Sensitive and exquisite distortion beast, it satisfies all the passion of Riff and Solo.The response of each frequency… | |
| DST | Distortion | Revolt | Suhr | Sem referência direta | the Suhr Riot Distortion | Valeton; página 12 do PDF. Based on the Suhr® Riot Distortion™* pedal,Three knobs and a tone selection switch, easy to use, large adjustable range is very suitable for a variety of playing scenes. | |
| DST | Distortion | Flagman Dist | Valeton / modelo próprio | Sem referência direta | a dirt box recreating | Valeton; página 13 do PDF. This model is based on a famous dirt box recreating, perfect reproduction of modern British high-gain timbre, rich tunability, intuitive operation to provide the perfect… | |
| DST | Bass Drive | Flex OD | Valeton / modelo próprio | Sem referência direta | A simple and effective distortion effect for guitars and basses. | Valeton; página 13 do PDF. A simple and effective distortion effect for guitars and basses. | |
| DST | Bass Drive | Bass OD | Valeton / modelo próprio | Sem referência direta | This is an overload effect device specially designed for bass | Valeton; página 13 do PDF. This is an overload effect device specially designed for bass. It combines the original bass sound with a unique overdrive effect to make a very good distortion effect… | |
| DST | Bass Preamp | Black Bass | Darkglass | Sem referência direta | the Darkglass Microtubes B7K | Valeton; página 13 do PDF. Based on the Darkglass® Microtubes B7K*. Takes the powerful dynamic saturation circuit and adds a four- band equalizer and a balanced line driver for even greater… | |
| DST | Bass Preamp | Bass Hammer | Aguilar | Sem referência direta | the Aguilar Tone Hammer | Valeton; página 13 do PDF. Based on the famous Aguilar® Tone Hammer* Front effect, with two sounds Color, three-stage equalization and mid-frequency sweep frequency regulation, high timbre… | |
| DST | Boost | Micro Boost | MXR | Sem referência direta | the MXR M133 Micro Amp2 pedal | Valeton; página 13 do PDF. Based on the legendary MXR® M133 Micro Amp2 pedal. Providing up to 20dB of gain, the Micro Boost elevates your amp sound without changing its tonal character. | |
| DST | Boost | AC Boost | Xotic | Sem referência direta | Xotic AC Booster | Valeton; página 14 do PDF. Based on famous Xotic® AC Booster* pedal, It is a beautiful smooth sounding drive/boost pedal that it perfect for giving your tube amp a bit of extra grunt. | |
| DST | Boost | B-Boost | Xotic | Sem referência direta | Any guitarist can benefit from the Xotic® BB Preamp* overdrive pedal | Valeton; página 14 do PDF. Any guitarist can benefit from the Xotic® BB Preamp* overdrive pedal. The pedal works equally well for getting thick and creamy overdrive tones with great sustain as it… | |
| DST | Boost | P-Boost | Xotic | Sem referência direta | Xotic RC Booster | Valeton; página 14 do PDF. Based famous on Xotic® RC Booster* provides you with super- transparent 20dB boost without altering your carefully crafted tone. And it offers an added gain channel for… | |
| DST | Boost | 14 Boost | Fortin | Sem referência direta | FortinGrind | Valeton; página 14 do PDF. Based famous on Fortin®Grind*. It gives you up to +20dB of boost that will tighten up and add aggression to any tube or solid-state amplifier. The GRIND’s surprising low… | |
| DST | Boost | FAT BB | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | This is a clean boost and pre-amp with a switchable low-cut filter and separate bass and treble cont | Valeton; página 14 do PDF. This is a clean boost and pre-amp with a switchable low-cut filter and separate bass and treble controls. | |
| DST | Boost | Boost | Xotic | Sem referência direta | Xotic EP Booster | Valeton; página 14 do PDF. Based on famous Xotic® EP Booster* pedal. Provides +20DB of pure stimulation lift, strong low frequency, bright high frequency, making clear sound more pleasant. | |
| DST | — | SnapTone 1-5 | Valeton / modelo próprio | Sem referência direta | NAM profile / SnapTone | Valeton; página 15 do PDF. For importing and using the.nam file. | |
| AMP | Clean | Tweedy | Fender | Sem referência direta | Fender Tweed Deluxe | Valeton; página 15 do PDF. Based on Fender® Tweed Deluxe*. This amplifier with a dynamic range from clean to wild overdrive, from country rock to distortion, the Fender® Tweed Deluxe* has been a… | |
| AMP | Clean | Bellman 59N | Fender | Stevie Ray Vaughan; Kurt Cobain | Fender ’59 Bassman | Valeton; página 15 do PDF. Based on Fender® ’59 Bassman®*. The most dramatic speaker in the history of Rock&Roll, originally designed for bass, has become the most classic guitar speaker.As clear… | |
| AMP | Drive | Bellman 59B | Fender | Sem referência direta | Fender ’59 Bassman | Valeton; página 15 do PDF. Based on Fender® ’59 Bassman®*. | |
| AMP | Clean | Dark Twin | Fender | Sem referência direta | Fender ’65 Twin Reverb | Valeton; página 15 do PDF. Based on Fender® ’65 Twin Reverb®*. With a Stratocaster*, the classic sound can be easily restored in both country jazz and rock music. | |
| AMP | Clean | Dark DLX | Fender | Sem referência direta | Great clean tones are possible, but the versatile "sweet distortion" is what so many guitarists appr | Valeton; página 16 do PDF. Great clean tones are possible, but the versatile "sweet distortion" is what so many guitarists appreciate and love with the Deluxe. Therefore the amp is the number 1… | |
| AMP | Clean | Dark Vibra | Fender | Sem referência direta | the Fender Super amp of the time and the circuit based on the Fender Vibrolux of the time | Valeton; página 16 do PDF. The original (6G16 circuit) Vibroverb was introduced in February 1963. The speaker lineup and the output transformer were based on the Fender Super amp of the time and… | |
| AMP | Clean | Silver Twin | Fender | Sem referência direta | Fender® Silverface Twin Reverb* amplifiers were built between 1967 and 1981 | Valeton; página 16 do PDF. Fender® Silverface Twin Reverb* amplifiers were built between 1967 and 1981. It makes the sound of history. | |
| AMP | Clean | SUPDual CL | Fortin | Sem referência direta | the SuproDual-Tone 1624T | Valeton; página 16 do PDF. Based on the Supro®Dual-Tone 1624T* (CH1, clean tone). In the mid 60’s , vintage 1624T amps have been sought-after for decades because the Dual-Tone’s volume knob is… | |
| AMP | Drive | SUPDual OD | Fortin | Sem referência direta | the SuproDual-Tone 1624T | Valeton; página 16 do PDF. Based on the Supro®Dual-Tone 1624T* (CH1+2, dirty tone). In the mid 60’s , vintage 1624T amps have been sought-after for decades because the Dual-Tone’s volume knob is… | |
| AMP | Clean | Foxy 15TB | VOX | The Beatles | vintage VOX | Valeton; página 17 do PDF. Based on vintage VOX®* AC-100* bass amp. In 1963, the Beatles was in urgent need of a bass speaker with a volume greater than that of the club's crazy shouting, and the… | |
| AMP | Clean | Foxy 30N | VOX | The Beatles; The Shadows; The Rolling Stones; Radiohead; Oasis; Suede | VOX AC30HW | Valeton; página 17 do PDF. Based on VOX® AC30HW* (normal channel). The symbolic clear sound and warm and sharp overdrive, since the day of its birth, has become the Shadows, The Beatles, the… | |
| AMP | Drive | Foxy 30TB | VOX | Sem referência direta | VOX AC30HW | Valeton; página 17 do PDF. Based on VOX® AC30HW* (normal channel). | |
| AMP | Clean | J-120 CL | Roland | Sem referência direta | the “Jazz Chorus” solid state combo | Valeton; página 17 do PDF. Based on the legendary “Jazz Chorus” solid state combo. When it came out in 1975, it is the first musical instrument speaker equipped with Chorus effect. It was famous… | |
| AMP | Clean | Match CL | Matchless | Sem referência direta | Based Matchless™ Chieftain 212 combo* (clean tone) | Valeton; página 17 do PDF. Based Matchless™ Chieftain 212 combo* (clean tone). MATCHLESS®'s philosophy since its founding in 1989 has been to make as many top-notch, all-purpose speakers as… | |
| AMP | Drive | Match OD | Matchless | Sem referência direta | Based Matchless™ Chieftain 212 combo* (overdrive tone). | Valeton; página 18 do PDF. Based Matchless™ Chieftain 212 combo* (overdrive tone). | |
| AMP | Clean | L-Star CL | Mesa/Boogie | Sem referência direta | Mesa/Boogie Lone Star | Valeton; página 18 do PDF. Based on Mesa/Boogie® Lone Star™*(CH1). The pre-amp circuit has extraordinary expressive power, the comprehensive timbre and intuitive operation are indicative of… | |
| AMP | Drive | L-Star OD | Mesa/Boogie | Sem referência direta | Mesa/Boogie Lone Star(CH2). | Valeton; página 18 do PDF. Based on Mesa/Boogie® Lone Star™(CH2). | |
| AMP | Clean | BogSV CL | Bogner | Sem referência direta | Bogner Shiva | Valeton; página 18 do PDF. Based on Bogner ® Shiva* (20th Anniversary version, Ch1. Modern optimized circuit, with a double channel treasure house of sound, excellent circuit design makes it have… | |
| AMP | Drive | BogSV OD | Bogner | Sem referência direta | Bogner Shiva | Valeton; página 18 do PDF. Based on Bogner ® Shiva* (20th Anniversary version, Ch2. | |
| AMP | Drive | Bog BlueV | Bogner | Sem referência direta | Bogner® XTC blue channel is popular for its highly recognizable classic rock and roll sound | Valeton; página 19 do PDF. Bogner® XTC blue channel is popular for its highly recognizable classic rock and roll sound. Its loud and handsome plexi voice has extraordinary attainments. | |
| AMP | Drive | Bog BlueM | Bogner | Sem referência direta | Bogner® XTC blue channel is popular for its highly recognizable classic rock and roll sound | Valeton; página 19 do PDF. Bogner® XTC blue channel is popular for its highly recognizable classic rock and roll sound. Its loud and handsome plexi voice has extraordinary attainments. | |
| AMP | Hi Gain | Bog RedV | Bogner | Sem referência direta | The Bogner® XTC red channel is known for its fiery high gain distortion and the main timbre. | Valeton; página 19 do PDF. The Bogner® XTC red channel is known for its fiery high gain distortion and the main timbre. | |
| AMP | Hi Gain | Bog RedM | Bogner | Sem referência direta | The Bogner® XTC red channel is known for its fiery high gain distortion and the main timbre. | Valeton; página 19 do PDF. The Bogner® XTC red channel is known for its fiery high gain distortion and the main timbre. | |
| AMP | Clean | Z38 CL | Valeton / modelo próprio | Sem referência direta | Dr | Valeton; página 19 do PDF. Based on Dr. Z® Maz 38 Sr.* combo (clean sound). With its varied sound, wide frequency response and dynamic range, it is not only an excellent single platform, but it… | |
| AMP | Drive | Z38 OD | Valeton / modelo próprio | Sem referência direta | Dr | Valeton; página 19 do PDF. Based on Dr. Z® Maz 38 Sr.* combo (clean sound). | |
| AMP | Clean | Knights CL | Fortin | Sem referência direta | Grindrod Pendragon PG20C | Valeton; página 20 do PDF. Based on Grindrod® Pendragon PG20C* (Normal channel, bright off). If you're a big fan of British sound/ overdrive, this is a sound you can't miss.It can bring the pure… | |
| AMP | Clean | Knights CL+ | Fortin | Sem referência direta | Grindrod Pendragon PG20C | Valeton; página 20 do PDF. Based on Grindrod® Pendragon PG20C* (Normal channel, bright on). If you're a big fan of British sound/ overdrive, this is a sound you can't miss.It can bring the pure… | |
| AMP | Drive | Knights OD | Fortin | Sem referência direta | Grindrod Pendragon PG20C | Valeton; página 20 do PDF. Based on Grindrod® Pendragon PG20C* (Drive channel). If you're a big fan of British sound/overdrive, this is a sound you can't miss.It can bring the pure British style,… | |
| AMP | Clean | Bad-KT CL | Bad Cat | Sem referência direta | Bad Cat Hot Cat 30 | Valeton; página 20 do PDF. Based on Bad Cat® Hot Cat 30* (clean channel). As the world's first use of Class A circuit design guitar speakers, the sound quality has been greatly improved.It… | |
| AMP | Drive | Bad-KT OD | Bad Cat | Sem referência direta | Bad Cat Hot Cat 30 | Valeton; página 20 do PDF. Based on Bad Cat® Hot Cat 30* (overdrive channel). | |
| AMP | Clean | Solo100 CL | Soldano | Eddie Van Halen | Soldano SLO100 | Valeton; página 20 do PDF. Based on Soldano® SLO100* (clean channel). Also from Eddie Van Halen's Brown Sound, Steve Vai's classic album “Passion & Warfare” was recorded in SLO100*. | |
| AMP | Drive | Solo100 OD | Soldano | Sem referência direta | Soldano SLO100 | Valeton; página 20 do PDF. Based on Soldano® SLO100* (crunch channel). | |
| AMP | Hi Gain | Solo100 LD | Mesa/Boogie | Steve Vai; Mark Knopfler; Eric Clapton; Gary Moore | Soldano SLO100 | Valeton; página 21 do PDF. Based on Soldano® SLO100* (overdrive channel). Also from Eddie Van Hale's Brown Sound, Steve Vai's classic album “Passion & Warfare” was recorded in SLO100*. | |
| AMP | Drive | UK 45 | Marshall | Sem referência direta | Marshall JTM45 | Valeton; página 21 do PDF. Based on Marshall® JTM45* (normal channel). In 1962, Marshall® introduced the first guitar speakers specifically designed for rock music, and its powerful sound laid the… | |
| AMP | Drive | UK 45+ | Marshall | Sem referência direta | Marshall JTM45 | Valeton; página 21 do PDF. Based on Marshall® JTM45* . In 1962, Marshall® introduced the first guitar speakers specifically designed for rock music, and its powerful sound laid the foundation for… | |
| AMP | Drive | UK 45JP | Marshall | Sem referência direta | Marshall JTM45 | Valeton; página 21 do PDF. Based on Marshall® JTM45* . In 1962, Marshall® introduced the first guitar speakers specifically designed for rock music, and its powerful sound laid the foundation for… | |
| AMP | Drive | UK 50 | Marshall | Sem referência direta | Marshall JMP50 | Valeton; página 21 do PDF. Based on Marshall® JMP50* ("Jump" connection). Through the adjustment of JTM45*'s rectifier tube, the power was improved. In 1966, Marshall company launched JTM50*, and… | |
| AMP | Drive | UK 50+ | Marshall | Sem referência direta | Marshall JMP50 | Valeton; página 22 do PDF. Based on Marshall® JMP50* ("Jump" connection). Through the adjustment of JTM45*'s rectifier tube, the power was improved. In 1966, Marshall company launched JTM50*, and… | |
| AMP | Drive | UK 50JP | Marshall | Sem referência direta | Marshall JMP50 | Valeton; página 22 do PDF. Based on Marshall® JMP50* ("Jump" connection). Through the adjustment of JTM45*'s rectifier tube, the power was improved. In 1966, Marshall company launched JTM50*, and… | |
| AMP | Drive | UK SLP | Marshall | Jeff Beck; Kurt Cobain | The 1959HWTM is a line right back to the celebrated era of the mid to late 1960s, the original was b | Valeton; página 22 do PDF. The 1959HWTM is a line right back to the celebrated era of the mid to late 1960s, the original was born when Pete Townshend asked Jim Marshall if he could make it… | |
| AMP | Drive | UK 800 | Marshall | Kerry King; AC/DC; Zakk Wylde | Marshall JCM800 | Valeton; página 22 do PDF. Based on Marshall® JCM800*. In 1981, the JCM800* quickly became the rock and metal sound of the '80s with its excellent higain sound.The founders named it after their… | |
| AMP | Hi Gain | UK 900 | Valeton / modelo próprio | Sem referência direta | The JCM900 is the evolution of the JCM800® adding another channel, two reverb options and two gain f | Valeton; página 22 do PDF. The JCM900 is the evolution of the JCM800® adding another channel, two reverb options and two gain features. Tube Set consists of 3 x 12AX7 preamp tubes, and 4 x… | |
| AMP | Drive | Flagman 1 | Marshall | Sem referência direta | the famous“Brown Eye”UK- style boutique amp head (BE channel) | Valeton; página 23 do PDF. Based on the famous“Brown Eye”UK- style boutique amp head (BE channel). Improvement on Marshall® Plexi* basis. It has smooth high frequency, tight low frequency and high… | |
| AMP | Drive | Flagman 2 | Valeton / modelo próprio | Sem referência direta | the famous“Brown Eye”UK- style boutique amp head (BE channel). | Valeton; página 23 do PDF. Based on the famous“Brown Eye”UK- style boutique amp head (BE channel). | |
| AMP | Hi Gain | Flagman+ 1 | Valeton / modelo próprio | Sem referência direta | the famous“Brown Eye”UK- style boutique amp head (HBE channel). | Valeton; página 23 do PDF. Based on the famous“Brown Eye”UK- style boutique amp head (HBE channel). | |
| AMP | Hi Gain | Flagman+ 2 | Valeton / modelo próprio | Sem referência direta | the famous“Brown Eye”UK- style boutique amp head (HBE channel). | Valeton; página 23 do PDF. Based on the famous“Brown Eye”UK- style boutique amp head (HBE channel). | |
| AMP | Drive | Mess2C+ 1 | Mesa/Boogie | Sem referência direta | Mesa/Boogie Mark II C+ (Lead channel) with 2 different onboard switch combinations | Valeton; página 23 do PDF. Based on Mesa/Boogie® Mark II C+™ (Lead channel) with 2 different onboard switch combinations. In the 1980s, Mark II C + *established the position of Mesa / Boogie®… | |
| AMP | Drive | Mess2C+ 2 | Mesa/Boogie | Sem referência direta | Mesa/Boogie Mark II C+ (Lead channel) with 2 different onboard switch combinations | Valeton; página 24 do PDF. Based on Mesa/Boogie® Mark II C+™ (Lead channel) with 2 different onboard switch combinations. In the 1980s, Mark II C + *established the position of Mesa / Boogie®… | |
| AMP | Drive | Mess 2C+ 3 | Mesa/Boogie | Sem referência direta | Mesa/Boogie Mark II C+ (Lead channel) with 2 different onboard switch combinations | Valeton; página 24 do PDF. Based on Mesa/Boogie® Mark II C+™ (Lead channel) with 2 different onboard switch combinations. In the 1980s, Mark II C + *established the position of Mesa / Boogie®… | |
| AMP | Hi Gain | Mess4 LD | Mesa/Boogie | Sem referência direta | Mesa/Boogie Mark IV (Lead channel) | Valeton; página 24 do PDF. Based on Mesa/Boogie® Mark IV™ (Lead channel). Based on the classic upgrade, it inherits the omnipotence of Mesa / Boogie®, with rich harmonics and sustain from the… | |
| AMP | Hi Gain | Mess4 LD 2 | Mesa/Boogie | Sem referência direta | Mesa/Boogie Mark IV (Lead 2 channel). | Valeton; página 24 do PDF. Based on Mesa/Boogie® Mark IV™ (Lead 2 channel). | |
| AMP | Hi Gain | Mess4 LD 3 | Mesa/Boogie | Sem referência direta | Mesa/Boogie Mark IV (Lead 3 channel). | Valeton; página 24 do PDF. Based on Mesa/Boogie® Mark IV™ (Lead 3 channel). | |
| AMP | Hi Gain | Mess DualV | Mesa/Boogie | Sem referência direta | Mesa/Boogie Dual Rectifier(Vintage mode) | Valeton; página 25 do PDF. Based on Mesa/Boogie Dual Rectifier(Vintage mode). The distortion of Rectifier series is warm, and the distortion of Rectifier series is very wide, which is more thick… | |
| AMP | Hi Gain | Mess DualM | Mesa/Boogie | Sem referência direta | Mesa/Boogie Dual Rectifier(Modern mode) | Valeton; página 25 do PDF. Based on Mesa/Boogie Dual Rectifier(Modern mode). The distortion of Rectifier series is warm, and the distortion of Rectifier series is very wide, which is more thick… | |
| AMP | Drive | Juice30 OD | Orange | Sem referência direta | Orange AD30 | Valeton; página 25 do PDF. Based on Orange® AD30™* (Dirty channel). This is an amp head with pure tube sound in the classic Class A circuit (with 4 El84 amp tubes), which guarantees harmonious… | |
| AMP | Hi Gain | Juice R100 | Orange | Sem referência direta | Orange Rockerverb 100 | Valeton; página 25 do PDF. Based on Orange® Rockerverb 100™* (Dirty channel). Once launched, this amplifier has become a new favorite of rock musicians. Its sound is unique, and its timbre can be… | |
| AMP | Hi Gain | EV 51 | Valeton / modelo próprio | Eddie Van Halen | Peavey 5150 (LEAD channel) | Valeton; página 25 do PDF. Based on Peavey® 5150® (LEAD channel). Guitarist Eddie Van Halen, who began working with Peavey® in the 1980s, loved the sound and took the album's title "5150" to the… | |
| AMP | Hi Gain | Eagle 120 | ENGL | Sem referência direta | ENGL® Savage 120 Amplifier embodies ENGL’s rich legacy of creating metal machines for delivering tru | Valeton; página 26 do PDF. ENGL® Savage 120 Amplifier embodies ENGL’s rich legacy of creating metal machines for delivering truly punishing tones, with clear dynamics and tremendous sonic variety.… | |
| AMP | Hi Gain | Eagle 120+ | ENGL | Sem referência direta | ENGL® Savage 120 Amplifier embodies ENGL’s rich legacy of creating metal machines for delivering tru | Valeton; página 26 do PDF. ENGL® Savage 120 Amplifier embodies ENGL’s rich legacy of creating metal machines for delivering truly punishing tones, with clear dynamics and tremendous sonic variety.… | |
| AMP | Hi Gain | Power LD | ENGL | Sem referência direta | ENGL Powerball II E645/2 | Valeton; página 26 do PDF. Based on ENGL® Powerball II E645/2* (CH4). It can bring you extremely compact low frequency, a lot of gain and precise dynamic response, which is very suitable for… | |
| AMP | Hi Gain | Dizz VH | Diezel | Guns N’ Roses; METALLICA; KORN; Slipknot; BON JOVI | Diezel VH4 | Valeton; página 26 do PDF. Based on Diezel® VH4*. Born in Germany in the 1990s, its timbre and multifunction have attracted countless guitar masters.The unique Modern Higain quickly conquered many… | |
| AMP | Hi Gain | Dizz VH S | Valeton / modelo próprio | Sem referência direta | Valeton Dizz VH S | Valeton; página 26 do PDF. | |
| AMP | Hi Gain | Dizz VH+ | Valeton / modelo próprio | Sem referência direta | Valeton Dizz VH+ | Valeton; página 26 do PDF. | |
| AMP | Hi Gain | Dizz VH+ S | Valeton / modelo próprio | Sem referência direta | Valeton Dizz VH+ S | Valeton; página 26 do PDF. | |
| AMP | Bass | Classic Bass | Ampeg | Sem referência direta | Ampeg SVT | Valeton; página 27 do PDF. Based on Ampeg® SVT* bass amp. Launched in 1969, Ampeg SVT has always been the most mainstream bass speaker, Have a strong ability to sound shape. | |
| AMP | Bass | Foxy Bass | VOX | The Beatles | vintage VOX | Valeton; página 27 do PDF. Based on vintage VOX®* AC-100* bass amp. In 1963, the Beatles was in urgent need of a bass speaker with a volume greater than that of the club's crazy shouting, and the… | |
| AMP | Bass | Mess Bass | Mesa/Boogie | Sem referência direta | Mesa/Boogie Bass 400 | Valeton; página 27 do PDF. Based on Mesa/Boogie® Bass 400* amp. You can hear the sound of the early bass speakers in many albums. | |
| AMP | Bass | Mini Bass | Mesa/Boogie | Sem referência direta | Ampeg B-15 | Valeton; página 27 do PDF. Based on Ampeg® B-15* "Flip Top” bass amp. The B-15* was conceived by legendary Jess Oliver in 1958. It can be seen from the early clubs to the world's top studios.… | |
| AMP | Bass | Bass Pre | Fender | Sem referência direta | Alembic F-2B | Valeton; página 27 do PDF. Based on Alembic™ F-2B* preamp.In the 1960s, inspired by the Fender® speaker, the circuit was transformed in an all-round way, which brought the extremely advanced… | |
| AMP | Acoustic | AC Pre | AER | Sem referência direta | AER Colourizer 2 | Valeton; página 27 do PDF. Based on AER® Colourizer 2* acoustic preamp. Originated in Germany, it is a preamp designed for acoustic guitar sound reinforcement. It will bring richer dynamics and… | |
| AMP | Acoustic | AC Pre 2 | AER | Sem referência direta | AER Colourizer 2 | Valeton; página 28 do PDF. Based on AER® Colourizer 2* acoustic preamp. Originated in Germany, it is a preamp designed for acoustic guitar sound reinforcement. It will bring richer dynamics and… | |
| AMP | — | SnapTone 1-5 | Valeton / modelo próprio | Sem referência direta | NAM profile / SnapTone | Valeton; página 28 do PDF. For importing and using the.nam file. | |
| NR | Gate | Gate 1 | Valeton / modelo próprio | Sem referência direta | ISPDecimator | Valeton; página 28 do PDF. Based on famous ISP®Decimator™* noise gate pedal. The Decimator features improvements in the expander tracking with their new Linearized Time Vector Processing™. This… | |
| NR | Gate | Gate 2 | Valeton / modelo próprio | Sem referência direta | Flexible noise gate with attack and release control. | Valeton; página 28 do PDF. Flexible noise gate with attack and release control. | |
| NR | Gate | Gate 3 | Valeton / modelo próprio | Sem referência direta | The inverse expander is a type of dynamic signal processing algorithm. | Valeton; página 29 do PDF. The inverse expander is a type of dynamic signal processing algorithm. | |
| NR | Special | Auto Swell | Valeton / modelo próprio | Sem referência direta | This is an auto swell effect with two parameters that are easy to understand and use | Valeton; página 29 do PDF. This is an auto swell effect with two parameters that are easy to understand and use. It can make the guitar sound like a violin. | |
| CAB | 1 x 6” | SUP ZEP | Supro | Sem referência direta | Supro 1x6" cabinet with oval speaker | Valeton; página 29 do PDF. Supro®* 1x6" cabinet with oval speaker | |
| CAB | 1 x 8” | TWD CP | Fender | Sem referência direta | Vintage Fender Champ 1x8" cabinet | Valeton; página 29 do PDF. Vintage Fender® Champ* 1x8" cabinet | |
| CAB | 1 x 10” | TWD PRC | Fender | Sem referência direta | Vintage Fender Princeton 1x10" cabinet | Valeton; página 29 do PDF. Vintage Fender® Princeton* 1x10" cabinet | |
| CAB | 2 x 10” | TWD SUP | Fender | Sem referência direta | A custom Fender Tweed 2x10" cabinet | Valeton; página 29 do PDF. A custom Fender® Tweed* 2x10" cabinet | |
| CAB | 1 x 12” | TWD LUX | Fender | Sem referência direta | Fender Tweed Deluxe 1x12" cabinet | Valeton; página 29 do PDF. Fender® Tweed Deluxe* 1x12" cabinet | |
| CAB | 1 x 12” | Dark LUX | Fender | Sem referência direta | Vintage Fender Deluxe 1x12" cabinet | Valeton; página 29 do PDF. Vintage Fender® Deluxe* 1x12" cabinet | |
| CAB | 1 x 12” | Dark VIT | Fender | Sem referência direta | Vintage Fender Vibrolux 1x12" cabinet | Valeton; página 29 do PDF. Vintage Fender® Vibrolux* 1x12" cabinet | |
| CAB | 2 x 12” | Dark Twin | Fender | Sem referência direta | Vintage Fender ’65 Twin Reverb 2x12" cabinet | Valeton; página 29 do PDF. Vintage Fender® ’65 Twin Reverb* 2x12" cabinet | |
| CAB | 2 x 12” | Dark CS | Fender | Sem referência direta | Custom modified Fender 2x12" cabinet | Valeton; página 29 do PDF. Custom modified Fender®* 2x12" cabinet | |
| CAB | 2 x 12” | Bellman 1 | Fender | Sem referência direta | Vintgae Fender "Piggyback" Bassman 2x12" cabinet | Valeton; página 29 do PDF. Vintgae Fender® "Piggyback" Bassman®* 2x12" cabinet | |
| CAB | 4 x 10” | Bellman 2 | Fender | Sem referência direta | Fender '59 Bassman 4x10" cabinet | Valeton; página 29 do PDF. Fender® '59 Bassman®* 4x10" cabinet | |
| CAB | 2 x 12” | J-120 | Roland | Sem referência direta | Legendary "Jazz Chorus" 2x12" cabinet | Valeton; página 29 do PDF. Legendary "Jazz Chorus" 2x12" cabinet | |
| CAB | 1 x 12” | UK G12 | Marshall | Sem referência direta | Marshall 1x12" cabinet | Valeton; página 29 do PDF. Marshall®* 1x12" cabinet | |
| CAB | 2 x 12” | UK GRN 1 | Marshall | Sem referência direta | Marshall 2550 2x12" cabinet | Valeton; página 30 do PDF. Marshall® 2550* 2x12" cabinet | |
| CAB | 4 x 12” | UK LD | Marshall | Sem referência direta | Marshall 1960AV 4x12" cabinet | Valeton; página 30 do PDF. Marshall® 1960AV* 4x12" cabinet | |
| CAB | 4 x 12” | UK TD | Marshall | Sem referência direta | 68 Marshall Basketweave 4x12" cabinet | Valeton; página 30 do PDF. 68 Marshall® Basketweave* 4x12" cabinet | |
| CAB | 4 x 12” | UK MD | Marshall | Sem referência direta | Custom modified Marshall 4x12" cabinet | Valeton; página 30 do PDF. Custom modified Marshall®* 4x12" cabinet | |
| CAB | 4 x 12” | UK GRN 2 | Marshall | Sem referência direta | Vintage Marshall 4x12" cabinet with Celestion Greenback speakers | Valeton; página 30 do PDF. Vintage Marshall® 4x12" cabinet with Celestion® Greenback®* speakers | |
| CAB | 4 x 12” | UK 75 | Marshall | Sem referência direta | Marshall 4x12" cabinet with Celestion G12T-75 speakers | Valeton; página 30 do PDF. Marshall®* 4x12" cabinet with Celestion® G12T-75* speakers | |
| CAB | 4 x 12” | UK Dark | Marshall | Sem referência direta | 1968 Marshall 4x12" cabinet | Valeton; página 30 do PDF. 1968 Marshall®* 4x12" cabinet | |
| CAB | 1 x 12” | FOXY 1 | VOX | Sem referência direta | Vintage VOX AC15 1x12" cabinet | Valeton; página 30 do PDF. Vintage VOX® AC15* 1x12" cabinet | |
| CAB | 2 x 12” | FOXY 2 | VOX | Sem referência direta | Vintage VOX AC30 2x12" cabinet | Valeton; página 30 do PDF. Vintage VOX® AC30* 2x12" cabinet | |
| CAB | 1 x 12” | ROUT | Valeton / modelo próprio | Sem referência direta | Carr Rambler 1x12" cabinet | Valeton; página 30 do PDF. Carr® Rambler* 1x12" cabinet | |
| CAB | 1 x 12” | BogSV | Bogner | Sem referência direta | Bogner Shiva 1x12" cabinet | Valeton; página 30 do PDF. Bogner® Shiva* 1x12" cabinet | |
| CAB | 1 x 12” | Bad-KT | Bad Cat | Sem referência direta | Black Cat Hot Cat 1x12" cabinet | Valeton; página 30 do PDF. Black Cat® Hot Cat* 1x12" cabinet | |
| CAB | 2 x 12” | Match | Matchless | Sem referência direta | Matchless Chieftain 2x12" cabinet | Valeton; página 30 do PDF. Matchless® Chieftain* 2x12" cabinet | |
| CAB | 1 x 12” | TOM OPEN | Swart | Sem referência direta | Swart Atomic Space 1x12" cabinet | Valeton; página 30 do PDF. Swart® Atomic Space* 1x12" cabinet | |
| CAB | 1 x 12” | ACE | Fender | Sem referência direta | Morgan AC-20 Deluxe 1x12" cabinet | Valeton; página 30 do PDF. Morgan® AC-20 Deluxe* 1x12" cabinet | |
| CAB | 4 x 12” | Mess | Mesa/Boogie | Sem referência direta | Mesa/Boogie Rectifier 4x12" cabinet | Valeton; página 30 do PDF. Mesa/Boogie® Rectifier®* 4x12" cabinet | |
| CAB | 1 x 12” | D STAR | Mesa/Boogie | Sem referência direta | Mesa/Boogie Lonestar 1x12" cabinet | Valeton; página 30 do PDF. Mesa/Boogie® Lonestar* 1x12" cabinet | |
| CAB | 2 x 12” | SUP Star | Mesa/Boogie | Sem referência direta | Mesa/Boogie Lonestar 2x12" cabinet | Valeton; página 30 do PDF. Mesa/Boogie® Lonestar* 2x12" cabinet | |
| CAB | 1 x 12” | US STO | Mesa/Boogie | Sem referência direta | 1980's Mesa/Boogie 1x12" cabinet | Valeton; página 30 do PDF. 1980's Mesa/Boogie®* 1x12" cabinet | |
| CAB | 2 x 12” | BOUTI | Valeton / modelo próprio | Sem referência direta | A unique custom 2x12" cabinet | Valeton; página 30 do PDF. A unique custom 2x12" cabinet | |
| CAB | 2 x 12” | SUP | Supro | Sem referência direta | Supro 1624T 2x12" cabinet | Valeton; página 30 do PDF. Supro® 1624T* 2x12" cabinet | |
| CAB | 2 x 12” | MATT TWD | Matchless | Sem referência direta | Matchless 2x12" cabinet | Valeton; página 30 do PDF. Matchless®* 2x12" cabinet | |
| CAB | 2 x 12” | Freed | Fryette | Sem referência direta | Fryette Deliverance 2x12" cabinet | Valeton; página 30 do PDF. Fryette® Deliverance* 2x12" cabinet | |
| CAB | 2 x 12” | DB Rock | Two-Rock | Sem referência direta | Two-Rock 2x12" cabinet | Valeton; página 30 do PDF. Two-Rock®* 2x12" cabinet | |
| CAB | 2 x 12” | Blue SK | Valeton / modelo próprio | Sem referência direta | A custom 2x12" cabinet with Celestion Alnico Blue speakers | Valeton; página 30 do PDF. A custom 2x12" cabinet with Celestion® Alnico Blue* speakers | |
| CAB | 4 x 12” | EV | Valeton / modelo próprio | Sem referência direta | Peavey 6505 4x12" cabinet | Valeton; página 30 do PDF. Peavey® 6505* 4x12" cabinet | |
| CAB | 4 x 12” | Bog | Bogner | Sem referência direta | Bogner 4x12" cabinet | Valeton; página 30 do PDF. Bogner®* 4x12" cabinet | |
| CAB | 4 x 12” | Eagle | ENGL | Sem referência direta | ENGL 4x12" cabinet | Valeton; página 30 do PDF. ENGL®* 4x12" cabinet | |
| CAB | 4 x 12” | Uban | Bogner | Sem referência direta | Bogner Uberkab 4x12" cabinet | Valeton; página 30 do PDF. Bogner® Uberkab* 4x12" cabinet | |
| CAB | 4 x 12” | Solo | Soldano | Sem referência direta | Soldano 4x12" caninet | Valeton; página 31 do PDF. Soldano®* 4x12" caninet | |
| CAB | 4 x 12” | Juice | Orange | Sem referência direta | Orange PPC412 4x12" cabinet | Valeton; página 31 do PDF. Orange® PPC412* 4x12" cabinet | |
| CAB | 4 x 12” | H-WAY | Hiwatt | Sem referência direta | Vintage Hiwatt SE4123 4x12" cabinet | Valeton; página 31 do PDF. Vintage Hiwatt® SE4123* 4x12" cabinet | |
| CAB | 4 x 12” | Way | WEM | Sem referência direta | Vintage WEM 4x12" cabinet | Valeton; página 31 do PDF. Vintage WEM®* 4x12" cabinet | |
| CAB | 4 x 12” | Dumb | Dumble | Sem referência direta | Dumble 4x12" cabinet | Valeton; página 31 do PDF. Dumble®* 4x12" cabinet | |
| CAB | 4 x 12” | Dizz | Diezel | Sem referência direta | Diezel 4x12" cabinet | Valeton; página 31 do PDF. Diezel®* 4x12" cabinet | |
| CAB | 4 x 12” | TRP | Hughes & Kettner | Sem referência direta | Hughes & Kettner Triamp 4x12" cabinet | Valeton; página 31 do PDF. Hughes & Kettner® Triamp* 4x12" cabinet | |
| CAB | 4 x 12” | King | Mesa/Boogie | Sem referência direta | Mesa/Boogie Road King 4x12" cabinet | Valeton; página 31 do PDF. Mesa/Boogie® Road King®* 4x12" cabinet | |
| CAB | 1 x 15” | ADM 1 | David Eden | Sem referência direta | David Eden 1x15" bass cabinet | Valeton; página 31 do PDF. David Eden®* 1x15" bass cabinet | |
| CAB | 4 x 10” | ADM 2 | David Eden | Sem referência direta | David Eden 4x10" bass cabinet | Valeton; página 31 do PDF. David Eden®* 4x10" bass cabinet | |
| CAB | 1 x 15” | Workman 1 | SWR | Sem referência direta | SWR 1x15" bass cabinet | Valeton; página 31 do PDF. SWR®* 1x15" bass cabinet | |
| CAB | 4 x 10” | Workman 2 | SWR | Sem referência direta | SWR Workingman's 4x10" bass cabinet | Valeton; página 31 do PDF. SWR® Workingman's* 4x10" bass cabinet | |
| CAB | 2 x 10” | US BASS | Mesa/Boogie | Sem referência direta | Mesa/Boogie 2x10" bass cabinet | Valeton; página 31 do PDF. Mesa/Boogie®* 2x10" bass cabinet | |
| CAB | 2 x 10” | MATT | Mesa/Boogie | Sem referência direta | Mark Bass 4x10" bass cabinet | Valeton; página 31 do PDF. Mark Bass®* 4x10" bass cabinet | |
| CAB | 1 x 15” | F-TOP | Ampeg | Sem referência direta | Ampeg PF-115HE 1x15" bass cabinet | Valeton; página 31 do PDF. Ampeg® PF-115HE* 1x15" bass cabinet | |
| CAB | 4 x 10” | AMPG 1 | Ampeg | Sem referência direta | Ampeg SVT-410HE 4x10" bass cabinet | Valeton; página 31 do PDF. Ampeg® SVT-410HE* 4x10" bass cabinet | |
| CAB | 8 x 10” | AMPG 2 | Ampeg | Sem referência direta | Ampeg SVT-810E 8x10" bass cabinet | Valeton; página 31 do PDF. Ampeg SVT-810E* 8x10" bass cabinet | |
| CAB | 4 x 12” | HACK | Hartke | Sem referência direta | Hartke 4x12" bass cabinet | Valeton; página 31 do PDF. Hartke®* 4x12" bass cabinet | |
| CAB | Acoustic | AC | Valeton / Acoustic IR | Sem referência direta | Dreadnought guitar simulation 1 | Valeton; página 31 do PDF. Dreadnought guitar simulation 1 | |
| CAB | Acoustic | AC Dream | Valeton / Acoustic IR | Sem referência direta | Dreadnought guitar simulation 2 | Valeton; página 31 do PDF. Dreadnought guitar simulation 2 | |
| CAB | Acoustic | OM | Valeton / Acoustic IR | Sem referência direta | Simulates an OM type acoustic guitar | Valeton; página 31 do PDF. Simulates an OM type acoustic guitar | |
| CAB | Acoustic | JUMBO | Valeton / Acoustic IR | Sem referência direta | Simulates a jumbo acoustic guitar | Valeton; página 31 do PDF. Simulates a jumbo acoustic guitar | |
| CAB | Acoustic | Bird | Valeton / Acoustic IR | Sem referência direta | Simulates the iconic "H-Bird" acoustic guitar | Valeton; página 31 do PDF. Simulates the iconic "H-Bird" acoustic guitar | |
| CAB | Acoustic | GA | Valeton / Acoustic IR | Sem referência direta | Simulates a GA type acoustic guitar | Valeton; página 31 do PDF. Simulates a GA type acoustic guitar | |
| CAB | Acoustic | Classic AC | Valeton / Acoustic IR | Sem referência direta | Simulates a classical guitar | Valeton; página 31 do PDF. Simulates a classical guitar | |
| CAB | Acoustic | Mandolin | Valeton / Acoustic IR | Sem referência direta | Simulates a mandolon | Valeton; página 31 do PDF. Simulates a mandolon | |
| CAB | Acoustic | Fretless Bass | Valeton / Acoustic IR | Sem referência direta | Simulates a fretless acoustic bass | Valeton; página 31 do PDF. Simulates a fretless acoustic bass | |
| CAB | Acoustic | Double Bass | Valeton / Acoustic IR | Sem referência direta | Simulates a double bass | Valeton; página 31 do PDF. Simulates a double bass | |
| CAB | User IR | User IR 1~20 | Valeton / User IR | Jeff Beck; Kurt Cobain | User IR 1~20 IR WAV (44kHz/1024 sample rate) | Valeton; página 31 do PDF. User IR 1~20 IR WAV (44kHz/1024 sample rate) | |
| MOD | Chorus | A-Chorus | Valeton / modelo próprio | Sem referência direta | the chorus pedal of the 1980s | Valeton; página 33 do PDF. Based on the classic chorus pedal of the 1980s. It can be used to create tones similar to the style of rotary speakers. | |
| MOD | Chorus | G-Chorus | Valeton / modelo próprio | Sem referência direta | the huge ensemble chorus pedal born in late 1970s (chorus mode) | Valeton; página 33 do PDF. Based on the legendary huge ensemble chorus pedal born in late 1970s (chorus mode), producing rich, shimmering vintage analog chorus tone. Warm, rich, and dreamlike… | |
| MOD | Chorus | C-Chorus | Valeton / modelo próprio | Sem referência direta | a 4-button purple stereo chorus pedal | Valeton; página 33 do PDF. Based on a legendary 4-button purple stereo chorus pedal, providing detailed rich chorus tone that expands sonic dimensions | |
| MOD | Chorus | B-Chorus | Valeton / modelo próprio | Sem referência direta | the ensemble chorus unit tuned for bassists | Valeton; página 33 do PDF. Based on the famous ensemble chorus unit tuned for bassists | |
| MOD | Chorus | M-Chorus | Valeton / modelo próprio | Sem referência direta | A multi-dimensional chorus pedal producing rich surrounding chorus sound, better playing with stereo | Valeton; página 33 do PDF. A multi-dimensional chorus pedal producing rich surrounding chorus sound, better playing with stereo sound systems | |
| MOD | Flanger | Jet | Valeton / modelo próprio | Sem referência direta | Classic flanger effect, producing rich and natural flanger tone. | Valeton; página 33 do PDF. Classic flanger effect, producing rich and natural flanger tone. | |
| MOD | Flanger | B-Jet | Valeton / modelo próprio | Sem referência direta | Classic flanging effect tuned for basses | Valeton; página 33 do PDF. Classic flanging effect tuned for basses | |
| MOD | Flanger | N-Jet | Valeton / modelo próprio | Sem referência direta | A flanger with negative feedback, producing "underwater" style sound | Valeton; página 33 do PDF. A flanger with negative feedback, producing "underwater" style sound | |
| MOD | Flanger | Trem Jet | Valeton / modelo próprio | Sem referência direta | Combines flanger and tremolo in one | Valeton; página 34 do PDF. Combines flanger and tremolo in one | |
| MOD | Vibrato | V-Roto | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | a BBD-based blue vibrato pedal | Valeton; página 34 do PDF. Based on a BBD-based blue vibrato pedal, producing natural analog vibrato sound | |
| MOD | Vibrato | G-Roto | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | the huge ensemble chorus pedal born in late 1970s (vibrato mode) | Valeton; página 34 do PDF. Based on the legendary huge ensemble chorus pedal born in late 1970s (vibrato mode), producing rich, shimmering vintage analog vibrato tone | |
| MOD | Vibrato | Vibrato | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | A classic vibrato effect with wide adjustable range | Valeton; página 34 do PDF. A classic vibrato effect with wide adjustable range | |
| MOD | Vibrato | Vibrato T | ProCo | Jeff Beck; Kurt Cobain | This is a special vibrato effect with dynamic depth control, which lets you create touch- sensitive | Valeton; página 34 do PDF. This is a special vibrato effect with dynamic depth control, which lets you create touch- sensitive pitch modulation. Use the Rate knob to control the modulation speed;… | |
| MOD | Phaser | O-Phase | MXR | Eddie Van Halen | MXR M101 Phase 90 | Valeton; página 34 do PDF. Based on legendary MXR® M101 Phase 90*. Have you heard the guitar sound in Eddie Van Halen's "Eruption"? That distorted tone with a sense of rotation is realized by… | |
| MOD | Phaser | G-Phase | Valeton / modelo próprio | Sem referência direta | a BBD-based green phase pedal | Valeton; página 34 do PDF. Based on a BBD-based green phase pedal, producing natural analog phase sound | |
| MOD | Phaser | S-Phase | Electro-Harmonix | Sem referência direta | The Electro Harmonix Small Stone was one of the first phasers available in the 70's and can be heard | Valeton; página 35 do PDF. The Electro Harmonix Small Stone was one of the first phasers available in the 70's and can be heard on countless recordings. As the competitors of that time, it comes… | |
| MOD | Phaser | Pan Phase | Valeton / modelo próprio | Sem referência direta | A special, subtle phaser combines tremolo/pan variations | Valeton; página 35 do PDF. A special, subtle phaser combines tremolo/pan variations | |
| MOD | Phaser | M-Vibe | Valeton / modelo próprio | Stevie Ray Vaughan; Jimi Hendrix | Voodoo Lab Micro Vibe | Valeton; página 35 do PDF. Based on Voodoo Lab® Micro Vibe*. Voodoo Lab Micro Vibe has the same design as the original 1968 Uni-Vibe*. Jimi Hendrix and Stevie Ray Vaughan used these effects… | |
| MOD | Phaser | Vibe | Valeton / modelo próprio | Jimi Hendrix; David Gilmour; Robin Trower | The Shin-Ei Uni-Vibe is a classic phase shifter(chorus) effect made famous by Jimi Hendrix, David Gi | Valeton; página 35 do PDF. The Shin-Ei Uni-Vibe is a classic phase shifter(chorus) effect made famous by Jimi Hendrix, David Gilmour, Robin Trower and many more. The rich “chorus” effect that it’s… | |
| MOD | Tremolo | O-Trem | Fender | Sem referência direta | Demeter TRM-1Tremulator | Valeton; página 36 do PDF. Based on legendary Demeter® TRM-1Tremulator*,offering classical opto tremolo sound. In 1982, rock pioneer Ry Cooder approached James Demeter to ask whether the tremolo… | |
| MOD | Tremolo | Sine Trem | Valeton / modelo próprio | Sem referência direta | Sine tremolo waveforms and super wide tonal range. | Valeton; página 36 do PDF. Sine tremolo waveforms and super wide tonal range. | |
| MOD | Tremolo | Bias Trem | Valeton / modelo próprio | Sem referência direta | Bias tremolo waveforms and super wide tonal range | Valeton; página 36 do PDF. Bias tremolo waveforms and super wide tonal range | |
| MOD | Pitch | Detune | Valeton / modelo próprio | Sem referência direta | This is a detuning effect that combines a slightly shifted signal with the original signal to create | Valeton; página 36 do PDF. This is a detuning effect that combines a slightly shifted signal with the original signal to create a chorus-like tone. | |
| MOD | Special | Bit Smash | Valeton / modelo próprio | Sem referência direta | Provides bitcrushing/sample reducing effect with musical fashion | Valeton; página 36 do PDF. Provides bitcrushing/sample reducing effect with musical fashion | |
| MOD | Special | Auto Swell | Valeton / modelo próprio | Sem referência direta | This is an auto swell effect with two parameters that are easy to understand and use | Valeton; página 36 do PDF. This is an auto swell effect with two parameters that are easy to understand and use. It can make the guitar sound like a violin. | |
| MOD | Special | Hold | Valeton / modelo próprio | Sem referência direta | This is a freeze effect that can freeze the sound for a short period of time before the effect is ac | Valeton; página 37 do PDF. This is a freeze effect that can freeze the sound for a short period of time before the effect is activated and make it play in a loop. The Activate parameter can be… | |
| MOD | Special | Freeze | Valeton / modelo próprio | Sem referência direta | This is a freeze effect that can freeze the sound at the moment of activation and keep it playing wh | Valeton; página 37 do PDF. This is a freeze effect that can freeze the sound at the moment of activation and keep it playing when the effect is activated. The Activate parameter can be assigned to… | |
| DLY | Delay | BBD Delay S | Valeton / modelo próprio | Sem referência direta | This is a stereo analog delay model that captures the sound of a BBD based analog delay machine that | Valeton; página 37 do PDF. This is a stereo analog delay model that captures the sound of a BBD based analog delay machine that is warm, smooth, rounded due to the limitation of BBD chips. | |
| DLY | Delay | Digital Delay S | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | This model is a stereo digital delay that produces a pure clean delay sound, clear and accurate. | Valeton; página 38 do PDF. This model is a stereo digital delay that produces a pure clean delay sound, clear and accurate. | |
| DLY | Delay | Tape Delay S | Valeton / modelo próprio | Sem referência direta | Back in the old days, producers and engineers created delay and echo effects using tape machines | Valeton; página 38 do PDF. Back in the old days, producers and engineers created delay and echo effects using tape machines. That sweet, space-like echo tone is still popular today, especially… | |
| DLY | Delay | Ambience 1 | Valeton / modelo próprio | Sem referência direta | This model is a multi- tap delay that brings you expanded sound spaciousness | Valeton; página 38 do PDF. This model is a multi- tap delay that brings you expanded sound spaciousness. 1, 2 stands for different tonal variations | |
| DLY | Delay | Ambience 2 | Valeton / modelo próprio | Sem referência direta | Produce pure, precised delay sound | Valeton; página 38 do PDF. Produce pure, precised delay sound | |
| DLY | Delay | Pure | Valeton / modelo próprio | Sem referência direta | Produciing warm delay sound with analog feel | Valeton; página 39 do PDF. Produciing warm delay sound with analog feel | |
| DLY | Delay | Analog | Valeton / modelo próprio | Sem referência direta | Simulates solid-state tape echo sound | Valeton; página 39 do PDF. Simulates solid-state tape echo sound | |
| DLY | Delay | Tape | Valeton / modelo próprio | Sem referência direta | A ping-pong delay producing stereo feedbadk bounces back and forth between left and right channels | Valeton; página 39 do PDF. A ping-pong delay producing stereo feedbadk bounces back and forth between left and right channels | |
| DLY | Delay | Ping Pong | Valeton / modelo próprio | Sem referência direta | Simulates the classic slapback echo effect | Valeton; página 39 do PDF. Simulates the classic slapback echo effect | |
| DLY | Delay | Slapback | Valeton / modelo próprio | Sem referência direta | Producing a delay effect with sweeping filter modulated repeats | Valeton; página 39 do PDF. Producing a delay effect with sweeping filter modulated repeats | |
| DLY | Delay | Sweep Echo | Valeton / modelo próprio | Sem referência direta | Producing a delay effect with ring modulated repeats | Valeton; página 39 do PDF. Producing a delay effect with ring modulated repeats | |
| DLY | Delay | Ring Echo | Valeton / modelo próprio | Sem referência direta | Simulates tube-driven tape echo sound | Valeton; página 40 do PDF. Simulates tube-driven tape echo sound | |
| DLY | Delay | Tube | Valeton / modelo próprio | Sem referência direta | A multi tap delay that simulates a huge 4-head tape echo machine | Valeton; página 40 do PDF. A multi tap delay that simulates a huge 4-head tape echo machine | |
| DLY | Delay | M-Echo | Valeton / modelo próprio | Sem referência direta | This analog delay pedal was sold from 1981 to 1984 and is still sought after thanks to its warm, nat | Valeton; página 40 do PDF. This analog delay pedal was sold from 1981 to 1984 and is still sought after thanks to its warm, natural sound. Produces a delay time ranging from 20 to 300 milliseconds. | |
| DLY | Delay | Sweet Echo | Valeton / modelo próprio | Sem referência direta | Maxon AD900 Analog Delay | Valeton; página 40 do PDF. Based on Maxon® AD900 Analog Delay*, providing warm, accurate delay sound. 100% Analog Delay, dynamic distortion on Delay repeats, gorgeous, warm, organic delay tone. | |
| DLY | Delay | 999 Echo | Valeton / modelo próprio | Sem referência direta | Reproduces the sound of a vintage 1980's rack-mount delay machine with slightly sample-reduced feedb | Valeton; página 41 do PDF. Reproduces the sound of a vintage 1980's rack-mount delay machine with slightly sample-reduced feedback | |
| DLY | Delay | Vintage Rack | Valeton / modelo próprio | Sem referência direta | Producing a delay effect with lo-fi'd repeats | Valeton; página 41 do PDF. Producing a delay effect with lo-fi'd repeats | |
| DLY | Delay | Lofi Echo | Valeton / modelo próprio | Sem referência direta | Producing a special delay e%ect with reversed feedback | Valeton; página 41 do PDF. Producing a special delay e%ect with reversed feedback | |
| DLY | Delay | Rev Echo | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | Producing a pure dual delay effect with Dual Echo separated L/R channel signal proessing | Valeton; página 41 do PDF. Producing a pure dual delay effect with Dual Echo separated L/R channel signal proessing | |
| DLY | Delay | Dual Echo | Valeton / modelo próprio | Sem referência direta | This is a special delay effect that combining normal feedback with pitch shifted slices | Valeton; página 42 do PDF. This is a special delay effect that combining normal feedback with pitch shifted slices. You can use Tap Tempo function to control the delay time by turning on the Sync… | |
| DLY | Delay | Ice Delay | Valeton / modelo próprio | Sem referência direta | This is a special delay effect that combining normal feedback with pitch shifted slices | Valeton; página 42 do PDF. This is a special delay effect that combining normal feedback with pitch shifted slices. You can use Tap Tempo function to control the delay time by turning on the Sync… | |
| DLY | Delay | Broken Delay | Valeton / modelo próprio | Sem referência direta | This is a creative delay effect focused on “breaking conventions” | Valeton; página 42 do PDF. This is a creative delay effect focused on “breaking conventions”. It produces a “fragmented” sound characterized by stutters, jumps, and granularity, simulating effects… | |
| RVB | Reverb | Room | Valeton / modelo próprio | Sem referência direta | Simulates the spaciousness of a room | Valeton; página 43 do PDF. Simulates the spaciousness of a room | |
| RVB | Reverb | Hall | Valeton / modelo próprio | Sem referência direta | Simulates the spaciousness of a performance hall | Valeton; página 43 do PDF. Simulates the spaciousness of a performance hall | |
| RVB | Reverb | Church | Valeton / modelo próprio | Sem referência direta | Simulates the spaciousness of a church | Valeton; página 43 do PDF. Simulates the spaciousness of a church | |
| RVB | Reverb | Plate | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | Simulates the sound character produced by a vintage plate reverberator | Valeton; página 43 do PDF. Simulates the sound character produced by a vintage plate reverberator | |
| RVB | Reverb | Spring | Valeton / modelo próprio | Jeff Beck; Kurt Cobain | Simulates the sound character produced by a vintage spring reverberator | Valeton; página 43 do PDF. Simulates the sound character produced by a vintage spring reverberator | |
| RVB | Reverb | Tube Spring | Valeton / modelo próprio | Sem referência direta | This reverb model simulates the sound coming from a vintage tube driven spring reverb unit. | Valeton; página 43 do PDF. This reverb model simulates the sound coming from a vintage tube driven spring reverb unit. | |
| RVB | Reverb | Amp Spring | Valeton / modelo próprio | Sem referência direta | This reverb model simulates the solid state spring reverb module coming from a combo amp. | Valeton; página 44 do PDF. This reverb model simulates the solid state spring reverb module coming from a combo amp. | |
| RVB | Reverb | Studio | Valeton / modelo próprio | Sem referência direta | This reverb model recreates the spaciousness of a recording studio. | Valeton; página 44 do PDF. This reverb model recreates the spaciousness of a recording studio. | |
| RVB | Reverb | N-Star | Valeton / modelo próprio | Sem referência direta | Special-tuned reverb effect with lush, bright decays | Valeton; página 44 do PDF. Special-tuned reverb effect with lush, bright decays | |
| RVB | Reverb | Deepsea | Valeton / modelo próprio | Sem referência direta | Special-tuned reverb effect with huge, deep decays | Valeton; página 44 do PDF. Special-tuned reverb effect with huge, deep decays | |
| RVB | Reverb | Sweet Space | Valeton / modelo próprio | Sem referência direta | Produces a modulated reverb effect that is lush and sweet | Valeton; página 44 do PDF. Produces a modulated reverb effect that is lush and sweet | |
| RVB | Reverb | Shimmer | Valeton / modelo próprio | Sem referência direta | Produce a rich, shimmering reverb effect | Valeton; página 45 do PDF. Produce a rich, shimmering reverb effect |
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